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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    307 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Don Gaspar de Guzmán (1587–1645), Count-"9 records

Institutions answered newest-first by record, interleaved

Don Gaspar de Guzmán, Count-Duke of Olivares by Paulus Pontius, The Metropolitan Museum of Art

Don Gaspar de Guzmán, Count-Duke of Olivares

Paulus Pontius (d. 1658)

1626 · Engraving

Cleared · Public Domain

live
The MetSimilar
Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares by Juan Bautista Martínez del Mazo, The Metropolitan Museum of Art

Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares

Juan Bautista Martínez del Mazo (d. 1667)

ca. 1636 or later · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Barberinae aulae fornix by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Barberinae aulae fornix

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Minerva depicted at top with a shield and arrow vanquishing the Giants below, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Title Page, from "Barberinae aulae fornix" by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Title Page, from "Barberinae aulae fornix"

Anonymous, Italian, 17th century (d. 1700)

ca. 1677 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Section of stucco and frescoed frieze above the cornice from the Camera of Venus in the Pitti Palace, Florence, stitched together with "Barberinae aulae fornix"

Charles Delahaye (d. 1641)

ca. 1677 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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