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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    293 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Double Capital"7 records

Institutions answered newest-first by record, interleaved

Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Talatat: Portrait of Nefertiti by an unrecorded maker, The Cleveland Museum of Art

Talatat: Portrait of Nefertiti

Unrecorded maker

c. 1353–1347 BCE · Sculpture, painted sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus

Unrecorded maker

1145–1165 · Sculpture, quartz sandstone with traces of polychromy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capitals by an unrecorded maker, The Cleveland Museum of Art

Engaged Capitals

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Nome Gods Bearing Offerings by an unrecorded maker, The Cleveland Museum of Art

Nome Gods Bearing Offerings

Unrecorded maker

c. 1391–1353 BCE · Sculpture, painted limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Single Leaf from a Bible: Initial E[t factum est] with Jonah Swallowed by the Whale by an unrecorded maker, The Cleveland Museum of Art

Single Leaf from a Bible: Initial E[t factum est] with Jonah Swallowed by the Whale

Unrecorded maker

c. 1290 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.