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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    340 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    433 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 846 matching records exist across the two collections.

Results for "Double Capital Fragment with the Stoning"11 records

Institutions answered newest-first by record, interleaved

Marble fragment of an Ionic column capital by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an Ionic column capital

Unrecorded maker

3rd–1st century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Capital of a Double Pilaster by an unrecorded maker, The Metropolitan Museum of Art

Capital of a Double Pilaster

Unrecorded maker

6th–7th century · Limestone; carved

Cleared · Public Domain

live
The MetSimilar
Capital of a Double Pilaster by an unrecorded maker, The Metropolitan Museum of Art

Capital of a Double Pilaster

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment of Archivolt with a Corinthian Capital by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Archivolt with a Corinthian Capital

Unrecorded maker

6th–7th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Double Capital with Masks and Birds by an unrecorded maker, The Metropolitan Museum of Art

Double Capital with Masks and Birds

Unrecorded maker

ca. 1140–60 · White marble

Cleared · Public Domain

live
The MetSimilar
Double Capital Fragment with the Stoning of St. Stephen by an unrecorded maker, The Metropolitan Museum of Art

Double Capital Fragment with the Stoning of St. Stephen

Unrecorded maker

12th Century · Marble

Cleared · Public Domain

live
The MetSimilar
Double Capital with Birds by an unrecorded maker, The Metropolitan Museum of Art

Double Capital with Birds

Unrecorded maker

12th–13th century · Marble

Cleared · Public Domain

live
The MetSimilar
Fragment of Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Fragment of Double Capital

Unrecorded maker

late 13th–early 14th century · Marble

Cleared · Public Domain

live
The MetSimilar
Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 15th century · Marble

Cleared · Public Domain

live
The MetSimilar
Double Capital Fragment by an unrecorded maker, The Metropolitan Museum of Art

Double Capital Fragment

Unrecorded maker

late 15th century · Stone

Cleared · Public Domain

live
The MetSimilar
Fragment of a Capital by Anonymous, French, 18th century, The Metropolitan Museum of Art

Fragment of a Capital

Anonymous, French, 18th century (d. 1800)

18th century · Pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.