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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    320 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    344 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Double Portrait of John Somes Dolliver a"12 records

Institutions answered newest-first by record, interleaved

A Pair of Royal Earrings by an unrecorded maker, The Metropolitan Museum of Art

A Pair of Royal Earrings

Unrecorded maker

ca. 1st century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Van Rensselaer Heir and Enslaved Youth by John Heaton, The Metropolitan Museum of Art

Van Rensselaer Heir and Enslaved Youth

John Heaton (d. 1745)

ca. 1730 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Pastiche of Self Portrait [with Saskia] and the Artist's Mother with Her Hand on Her Chest: Small Bust by Jean de Bary, The Metropolitan Museum of Art

Pastiche of Self Portrait [with Saskia] and the Artist's Mother with Her Hand on Her Chest: Small Bust

Jean de Bary (d. 1759)

18th century (pastiche printed from two of Rembrandt's original plates) · Etching

Cleared · Public Domain

live
The MetSimilar
Robert Shurlock (1772–1847) by John Russell, The Metropolitan Museum of Art

Robert Shurlock (1772–1847)

John Russell (d. 1806)

1801 · Pastel on paper, laid down on canvas

Cleared · Public Domain

live
The MetSimilar
Square Piano by Robert Nunns, The Metropolitan Museum of Art

Square Piano

Robert Nunns (d. 1869)

1853 · Rosewood, mother-of-pearl, tortoiseshell, abalone, felt, metal, paint, gilding

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Richard and Maria Cosway

Richard Cosway (d. 1821)

1784 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George, Prince of Wales

Francesco Bartolozzi (d. 1815)

June 15, 1795 · Stipple engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Loudon McAdam, Esquire

Charles Turner (d. 1857)

1825 · Mezzotint; first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Double Portrait of John Somes Dolliver and William Collins Dolliver

William Kennedy

ca. 1848 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mr. and Mrs. I. N. Phelps Stokes

John Singer Sargent (d. 1925)

1897 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Marin and Alfred Stieglitz

Marius de Zayas (d. 1961)

ca. 1912–13 · Charcoal and graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.