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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1219 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    276 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 68 matching records exist across the two collections.

Results for "Double-Faced Crossbar from a Railing"12 records

Institutions answered newest-first by record, interleaved

Various Designs for Rocaille Ornaments, plate 4 from "Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden" by Jeremias Wachsmuth, The Metropolitan Museum of Art

Various Designs for Rocaille Ornaments, plate 4 from "Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden"

Jeremias Wachsmuth (d. 1771)

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Double-Faced Crossbar from a Railing by an unrecorded maker, The Cleveland Museum of Art

Double-Faced Crossbar from a Railing

Unrecorded maker

c. 150 BCE · Sculpture, plum-colored sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Double Saddle Bag (Khorjin)

Unrecorded maker

ca. 1800–25 · Wool (warp, ground weft, and sumak weft) and goat(?) hair (black braided loop); sumak extra-weft wrapping and slit tapestry (kilim) weave (front); weft-faced plain weave with pattern in supplementary continuous weft and braided loop closures (back)

Cleared · Public Domain

live
The MetSimilar
Double-Faced Crossbar from a Railing: Male Worshipper (recto) by an unrecorded maker, The Cleveland Museum of Art

Double-Faced Crossbar from a Railing: Male Worshipper (recto)

Unrecorded maker

c. 150 BCE · Sculpture, plum-colored sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Face of half a Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Face of half a Double Saddle Bag (Khorjin)

Unrecorded maker

ca. 1850 · Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping (front); weft-faced plain weave (back)

Cleared · Public Domain

live
The MetSimilar
Double-Faced Crossbar from a Railing: Female Figure (verso) by an unrecorded maker, The Cleveland Museum of Art

Double-Faced Crossbar from a Railing: Female Figure (verso)

Unrecorded maker

c. 150 BCE · Sculpture, plum-colored sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Face of Half a Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Face of Half a Double Saddle Bag (Khorjin)

Unrecorded maker

ca. 1850 · Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping (front); weft-faced plain weave (back)

Cleared · Public Domain

live
The MetSimilar
Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Double Saddle Bag (Khorjin)

Unrecorded maker

ca. 1875 · Wool (warp, weft, and sumak weft) and goat(?) hair (sumak weft); sumak extra-weft wrapping, weft-faced plain weave, and slit tapestry (kilim) closure (front); weft-faced plain weave and braided loop closures (back)

Cleared · Public Domain

live
The MetSimilar
Face of Half a Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Face of Half a Double Saddle Bag (Khorjin)

Unrecorded maker

ca. 1875 · Wool (warp, ground weft, and supplementary weft) and goat(?) hair (sumak weft); knotted extra-weft wrapping and weft-faced plain weave (front); weft-faced plain weave (back)

Cleared · Public Domain

live
The MetSimilar
Double Flour Bag by an unrecorded maker, The Metropolitan Museum of Art

Double Flour Bag

Unrecorded maker

ca. 1900 · Wool (warp, ground weft, sumak weft, and pile) and goat(?) hair (braided loops); sumak extra-weft wrapping, tapestry (kilim) with dovetailing, and border pattern in complementary weft weave (front); symmetrically knotted pile (top and bottom edges); weft-faced plain weave with two areas of pattern in sumak extra-weft wrapping with twined and braided loop closures (back)

Cleared · Public Domain

live
The MetSimilar
Double-faced water spirit crest by Ijebu-Yoruba artist, The Metropolitan Museum of Art

Double-faced water spirit crest

Ijebu-Yoruba artist

early 20th century · Wood, pigment, accumulated surface material

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Double Saddlebag (Khorjin)

Unrecorded maker

ca. 1900 · Wool (warp and sumak weft), cotton (ground weft), and goat(?) hair (sumak weft); sumak extra-weft wrapping and slit tapestry (kilim) closure (front); weft-faced plain weave with pattern in supplementary brocaded weft (back)

In copyright

live
The MetSimilar

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