
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
417 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 136 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
live
Woman Standing among the Friars (recto)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
live
Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, left: graphite; right: gray and black wash with point of brush and graphite
Cleared · CC0
live
Salome with the Head of St. John the Baptist
Albrecht Altdorfer (d. 1538)
c. 1517 · Drawing, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink
Cleared · CC0
live
St. John the Evangelist
Charles de La Fosse (d. 1716)
c. 1700–1702 · Drawing, black, red, and white chalk
Cleared · CC0
live
Figures Seated by a Lake in a Wooded Landscape
John Martin (d. 1854)
1820 · Drawing, brown wash and point of brush with graphite underdrawing
Cleared · CC0
live
A Sacrifice Interrupted
John Hamilton Mortimer (d. 1779)
1770s · Drawing, pen and brown ink
Cleared · CC0
live
Budding Sycamore
John Ruskin (d. 1900)
c. 1876 · Drawing, black and gray wash, gouache, and graphite
Cleared · CC0
live
Portrait of M. de Viapre
John I Smart (d. 1811)
c. 1776 · Portrait Miniature, graphite and wash on laid paper
Cleared · CC0
live
Paris and Oenone
John Flaxman (d. 1826)
1791 · Drawing, brush and gray wash with pen and pale gray-black ink with graphite and brown ink
Cleared · CC0
live
Portrait of Sukey, Lady Oglander, née Serle
John I Smart (d. 1811)
c. 1770s · Portrait Miniature, graphite and wash on laid paper
Cleared · CC0
live
Portrait of Charlotte Bertie, née Warren, 4th Countess of Abingdon
John I Smart (d. 1811)
1778 · Portrait Miniature, graphite and wash on laid paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.