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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    400 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Draped Female Figure"11 records

Institutions answered newest-first by record, interleaved

Standing Female Figure by an unrecorded maker, The Cleveland Museum of Art

Standing Female Figure

Unrecorded maker

600–1000 · Sculpture, ceramic, pigment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Royal Female Donor by an unrecorded maker, The Cleveland Museum of Art

Royal Female Donor

Unrecorded maker

c. 1500 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mirror with Engraved Scene: Two Female Figures by an unrecorded maker, The Cleveland Museum of Art

Mirror with Engraved Scene: Two Female Figures

Unrecorded maker

330–300 BCE · Metalwork, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mirror by an unrecorded maker, The Cleveland Museum of Art

Mirror

Unrecorded maker

c. 470–460 BCE · Metalwork, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso) by Correggio, The Cleveland Museum of Art

A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso)

Correggio (d. 1534)

c. 1525 · Drawing, red chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Prajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) by an unrecorded maker, The Cleveland Museum of Art

Prajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Unrecorded maker

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina) · Painting, Gum tempera and ink on palm leaf

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Study of a Fallen Soldier (possibly the Conversion of Saul) (recto); A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso) by Correggio, The Cleveland Museum of Art

Study of a Fallen Soldier (possibly the Conversion of Saul) (recto); A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso)

Correggio (d. 1534)

c. 1525 · Drawing, red chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bracket with Two Musicians by an unrecorded maker, The Cleveland Museum of Art

Bracket with Two Musicians

Unrecorded maker

100s CE · Sculpture, schist

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Neck Ornament of a Tunic by an unrecorded maker, The Cleveland Museum of Art

Neck Ornament of a Tunic

Unrecorded maker

400s CE · Textile, Undyed linen and dyed wool: tapestry weave with supplementary weft wrapping

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fallen Caryatid Carrying Her Stone by Auguste Rodin, The Cleveland Museum of Art

Fallen Caryatid Carrying Her Stone

Auguste Rodin (d. 1917)

1880–81? · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ornamental Shoulder Bands from a Tunic by an unrecorded maker, The Cleveland Museum of Art

Ornamental Shoulder Bands from a Tunic

Unrecorded maker

500s · Textile, Undyed linen and dyed wool: tapestry weave with supplementary weft wrapping

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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