The Holy Kinship
Master of the Drapery Studies (d. 1500)
ca. 1480 · Pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
344 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
325 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 432 matching records exist across the two collections.
Results for "Drapery Studies (recto); Drapery Studies"12 records
Institutions answered newest-first by record, interleaved
A Flying Angel (recto); Studies of Hands Playing Instruments (verso)
Giovanni Battista Piazzetta (d. 1754)
1723–27 · Drawing, black chalk heightened with traces of white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Christ Appearing to Mary Magdalen
Master of the Drapery Studies (d. 1500)
ca. 1490 · Pen and brown ink, brush and brown wash, and black chalk
Cleared · Public Domain
liveThe MetSimilar
Studies of Angels (recto)
Michel Dorigny (d. 1665)
1655–60(?) · Drawing, black chalk heightened with white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Figure Studies: The Holy Family, a Running or Dancing Child, Drapery Studies
Francesco Curia (d. 1608)
1565–1608 · Pen and brown ink, brush and pale violet wash.
Cleared · Public Domain
liveThe MetSimilar
Studies of Angels (recto); Panthea before Cyrus? (verso)
Michel Dorigny (d. 1665)
1655–60(?) · Drawing, black chalk heightened with white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Figure and Drapery studies (recto); Three Studies of a Male Torso for the "Coronation of Marcantonio Pasqualini" (verso)
Andrea Sacchi (d. 1661)
1641 · Red and white chalk (recto); red chalk (verso)
Cleared · Public Domain
liveThe MetSimilar
A Flying Angel (recto)
Giovanni Battista Piazzetta (d. 1754)
1723–27 · Drawing, black chalk heightened with traces of white chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Studies of a woman, her hands and arms and drapery
Wolfgang Adam Töpffer (d. 1847)
late 18th–19th century · Graphite, some red chalk, heightened with white chalk, on blue paper
Cleared · Public Domain
liveThe MetSimilar
Reconciliation of the Romans and the Sabines (recto) Venus Disarming Mars, Drapery Study (verso)
Peter Paul Rubens (d. 1640)
c. 1632/35 · Drawing, pen and brown ink and brush and gray and brown wash; framing lines in brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Drapery Study for "Battledore" (recto); Two Women (verso)
Albert Joseph Moore (d. 1893)
1868–70 · Black conté crayon and white chalk on brown paper (recto); black chalk (verso)
Cleared · Public Domain
liveThe MetSimilar
Study of a Female Nude (possibly for an unrealized allegorical painting) (recto); Studies of Drapery and Study of a Landscape (verso)
Pierre Puvis de Chavannes (d. 1898)
1800s · Drawing, black chalk stumped with heightening of white chalk on brown paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.