Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    313 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    615 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,367 matching records exist across the two collections.

Results for "Drawing after a Lithograph of a Recumben"12 records

Institutions answered newest-first by record, interleaved

Vision of Constantine, copy after a drawing by Giacinto Gimignani by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Vision of Constantine, copy after a drawing by Giacinto Gimignani

Ercole Procaccini The Younger (d. 1680)

17th century · Black chalk (?), brush and gray wash, over leadpoint (?) underdrawing on light tan paper; framing lines in black chalk (?) over leadpoint (?)

Cleared · Public Domain

live
The MetSimilar
Preparatory Drawing of a Ceiling for Etching, after Boucher Drawing by Jean Charles François, The Metropolitan Museum of Art

Preparatory Drawing of a Ceiling for Etching, after Boucher Drawing

Jean Charles François (d. 1769)

mid-18th century · Red chalk

Cleared · Public Domain

live
The MetSimilar
Drawing after a Lithograph of a Recumbent Lion. by Antonio Canova, The Metropolitan Museum of Art

Drawing after a Lithograph of a Recumbent Lion.

Antonio Canova (d. 1822)

n.d. · Brush and black and gray wash, graphite and black chalk

Cleared · Public Domain

live
The MetSimilar
Drawing of a Grotesque after a 16th-century Decorative Relief by Filippo Cretoni, The Metropolitan Museum of Art

Drawing of a Grotesque after a 16th-century Decorative Relief

Filippo Cretoni (d. 19)

n.d. · Black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Drawing of a Grotesque after a 16th-century Decorative Relief by Filippo Cretoni, The Metropolitan Museum of Art

Drawing of a Grotesque after a 16th-century Decorative Relief

Filippo Cretoni (d. 19)

n.d. · Black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Drawing of a Grotesque after a 16th-century Decorative Relief by Filippo Cretoni, The Metropolitan Museum of Art

Drawing of a Grotesque after a 16th-century Decorative Relief

Filippo Cretoni (d. 19)

n.d. · Black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Drawing of a Grotesque after a 16th-century Decorative Relief by Filippo Cretoni, The Metropolitan Museum of Art

Drawing of a Grotesque after a 16th-century Decorative Relief

Filippo Cretoni (d. 19)

n.d. · Black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Drawing of a Grotesque after a 16th-century Decorative Relief by Filippo Cretoni, The Metropolitan Museum of Art

Drawing of a Grotesque after a 16th-century Decorative Relief

Filippo Cretoni (d. 19)

n.d. · Black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Drawing of a Grotesque after a 16th-century Decorative Relief by Filippo Cretoni, The Metropolitan Museum of Art

Drawing of a Grotesque after a 16th-century Decorative Relief

Filippo Cretoni (d. 19)

n.d. · Black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Drawing After and Architectural Fragment of a Coffered Ceiling by Anonymous, French, 19th century, The Metropolitan Museum of Art

Drawing After and Architectural Fragment of a Coffered Ceiling

Anonymous, French, 19th century (d. 1900)

19th century · Graphite

Cleared · Public Domain

live
The MetSimilar
Copy after a reproduction of a Rodin drawing by Anonymous, The Metropolitan Museum of Art

Copy after a reproduction of a Rodin drawing

Anonymous

n.d. · Pen and black ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ain't I Some, after Vernet

Robert A. Clarke

1843–1854 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.