And Now They Never Meet in Grove or Green
Arthur Rackham (d. 1939)
1908 · Drawing, pen and black ink and watercolor with scraping and minute touches of white gouache on artist's illustration board
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
409 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 27 matching records exist across the two collections.
Results for "Drawing for a book illustration"11 records
Institutions answered newest-first by record, interleaved
The Fox and the Turkey Hens
Jean-Baptiste Oudry (d. 1755)
1733 · Drawing, brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Melchizedek Blessing Abraham
Julius Schnorr von Carolsfeld (d. 1872)
1825 · Drawing, pen and brown ink mounted on blue laid paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Green Dragon
Arthur Rackham (d. 1939)
1910 · Drawing, pen and black ink and watercolor on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Jonah Cast Out by the Whale onto the Shore of Nineveh
Maarten van Heemskerck (d. 1574)
1566 · Drawing, Pen and brown ink over indications in black chalk, within brown ink framing lines; indented for transfer
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Relics
Jean-Jacques Grandville (d. 1847)
c. 1835 · Drawing, pen and brown ink, brown ink wash, heightened with white and red-orange gouache with scoring on wove paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Alarums and Excursions
Maxfield Parrish (d. 1966)
1899 · Drawing, brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Young Woman from Valence
Gustave Doré (d. 1883)
c. 1862 · Drawing, brush and brown ink and graphite with stumping with touches of white gouache on sturdy weight wove paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Hag and the Young Man
George Bellows (d. 1925)
probably 1922 · Drawing, black lithographic crayon (rubbed in sky)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Study of a Tulip (Anvaers)
Pieter Holsteyn II (d. 1673)
c. 1645 · Drawing, Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Parrot and the Cat (Sketch for "Good-Night" by Eleanor Gates)
Arthur Rackham (d. 1939)
c. 1905 · Drawing, black ink wash with graphite on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.