Cassone (one of a pair)
Unrecorded maker
ca. 1550–60 · Walnut, carved and partially gilded
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
192 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
328 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Results for "Drawing no. 34 for Wetherill House: Deta"12 records
Institutions answered newest-first by record, interleaved
Automaton clock in the form of Urania, Muse of Astronomy
Paullus Schiller (d. 1634)
ca. 1620–30 · Case: partly gilded and partly silvered brass, copper with traces of silver, ebony, and ebony veneer; Movement: gilded brass and partly blued steel
Cleared · Public Domain
liveThe MetSimilar
Temple of Venus
Meissen Manufactory (d. 9999)
ca. 1727–28 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
liveThe MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
liveThe MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London (d. 1832)
July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples
Cleared · Public Domain
liveThe MetSimilar
Marble-top table
Theophil Hansen (d. 1891)
ca. 1855–65 · Belgian black marble and semi-precious stones; painted pine, ebonized fruitwood; brass, gilt bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4
Rudolph Ackermann, London (d. 1832)
July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 5
Rudolph Ackermann, London (d. 1832)
January–June 1811 · Illustrations: etching, hand-coloring, woodcut and fabric samples
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Drawing no. 90 for the Wetherill House: Skylight
Stanford White (d. 1906)
November 9, 1884 · Ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Drawing no. 29 for Wetherill House, Roof Framing Plan
Stanford White (d. 1906)
May 22, 1894 · Ink and graphite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Drawing no. 34 for Wetherill House: Detail of Belvedere
Stanford White (d. 1906)
May 29, 1894 · Ink
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.