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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    838 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    404 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 1,164 matching records exist across the two collections.

Results for "Drawing of Two 'Americans' for Ballet de"12 records

Institutions answered newest-first by record, interleaved

Drawing of Two 'Americans' for Ballet de la Douairière de Billebahaut by Daniel Rabel, The Metropolitan Museum of Art

Drawing of Two 'Americans' for Ballet de la Douairière de Billebahaut

Daniel Rabel (d. 1637)

1626 · Pen and brown ink, watercolor with silver and gold ink

Cleared · Public Domain

live
The MetSimilar
Drawings for Two Masquerade or Ballet Costumes ('Sospiri' and 'Baci') by Giovanni Battista Paggi, The Metropolitan Museum of Art

Drawings for Two Masquerade or Ballet Costumes ('Sospiri' and 'Baci')

Giovanni Battista Paggi (d. 1627)

1554–1627 · Pen and ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour) by Juan Dolivar, The Metropolitan Museum of Art

Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour)

Juan Dolivar (d. 1692)

1681–92 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Female Actor in Ballet Costume by Jean Berain, The Metropolitan Museum of Art

Female Actor in Ballet Costume

Jean Berain (d. 1711)

n.d. · Pen and black ink over chalk

Cleared · Public Domain

live
The MetSimilar
Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand,  from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies) by Claude Gillot, The Metropolitan Museum of Art

Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

Claude Gillot (d. 1722)

ca. 1721 · Etching

Cleared · Public Domain

live
The MetSimilar
Country Ballet (Ballet Champêtre), from Essai de Papilloneries Humaines par Saint Aubin by Charles Germain de Saint-Aubin, The Metropolitan Museum of Art

Country Ballet (Ballet Champêtre), from Essai de Papilloneries Humaines par Saint Aubin

Charles Germain de Saint-Aubin (d. 1786)

ca. 1756–60 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Two Designs for Ornament by Richard de Lalonde, The Metropolitan Museum of Art

Two Designs for Ornament

Richard de Lalonde (d. 1790)

ca. 1770 · Pen and black ink, brush and gray wash, over graphite underdrawing

Cleared · Public Domain

live
The MetSimilar
Two Costume Designs for the Ballet or Opera by Louis René Boquet, The Metropolitan Museum of Art

Two Costume Designs for the Ballet or Opera

Louis René Boquet (d. 1814)

ca. 1770–90 · Pen and ink with watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Study of a Ballet Dancer (recto); Two Studies of Dancers (verso) by Edgar Degas, The Metropolitan Museum of Art

Study of a Ballet Dancer (recto); Two Studies of Dancers (verso)

Edgar Degas (d. 1917)

ca. 1873 · Oil with opaque watercolor on prepared pink paper (recto); oil on prepared pink paper (verso)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, 1914

Léon Bakst (d. 1924)

ca. 1914 · Gouache and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Les Plaisirs - Innocents et Morbids" Ballet Costume Design of Twinned Serpents for "L'Or," Ziegfield Follies

Erté (Romain de Tirtoff) (d. 1990)

1923 · Gouache and metallic paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for the Shepherdess, for the Ballet 'Les Tentations de la Bergère, premiered at the Théâtre de Monte Carlo, 1924

Juan Gris (d. 1927)

1923 · Watercolor and gouache

In copyright

live
The MetSimilar

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