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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    267 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    390 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 499 matching records exist across the two collections.

Results for "Drawing of a Catafalque for Philip II of"12 records

Institutions answered newest-first by record, interleaved

Panel with grotesques, from a set of bed hangings by Cornelis Floris II, The Metropolitan Museum of Art

Panel with grotesques, from a set of bed hangings

Cornelis Floris II (d. 1575)

ca. 1550–60 · Silk, wool, silver and silver-gilt thread (20-22 warps per inch, 8-9 per cm.)

Cleared · Public Domain

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The MetSimilar
Philip II by an unrecorded maker, The Metropolitan Museum of Art

Philip II

Unrecorded maker

1555–76 · Gold

Cleared · Public Domain

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The MetSimilar
Drawing of a Catafalque for Philip II of Spain, 1598 by Alessandro Casolani della Torre, The Metropolitan Museum of Art

Drawing of a Catafalque for Philip II of Spain, 1598

Alessandro Casolani della Torre (d. 1606)

1598 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
Design for the Catafalque of a Prince by Pier Francesco Battistelli, The Metropolitan Museum of Art

Design for the Catafalque of a Prince

Pier Francesco Battistelli (d. 1625)

ca. 1610–25 · Pen and brown ink, brush and brown wash, over black chalk incised by the engraver

Cleared · Public Domain

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The MetSimilar
Design for a Catafalque for King Philip IV of Spain by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Catafalque for King Philip IV of Spain

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, highlighted with gray wash, over traces of graphite

Cleared · Public Domain

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The MetSimilar
Catafalque for a Cardinal by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Catafalque for a Cardinal

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Allegory of America by Philip Tideman, The Metropolitan Museum of Art

Allegory of America

Philip Tideman (d. 1705)

ca. 1696 · Brush and gray ink, over graphite, incised for transfer

Cleared · Public Domain

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The MetSimilar
Ground Plan for a Catafalque for the regent of France, Philip, Duke d'Orleans (1674–1723) by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Ground Plan for a Catafalque for the regent of France, Philip, Duke d'Orleans (1674–1723)

Giuseppe Galli Bibiena (d. 1756)

ca. 1723 · Pen, brown ink and gray wash

Cleared · Public Domain

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The MetSimilar
Ground Plan for a Catafalque by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Ground Plan for a Catafalque

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Ground Plan for a Catafalque for a Prince of Lorraine by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Ground Plan for a Catafalque for a Prince of Lorraine

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen, brown ink and gray wash over black chalk

Cleared · Public Domain

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The MetSimilar
Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662–1726) by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662–1726)

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen, brown ink and gray wash over black chalk

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Year at the Shore–January, plate II (in "Good Words for 1864," p. 94)

Philip Henry Gosse (d. 1888)

1864 · Wood engraving

In copyright

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