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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    995 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    601 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,084 matching records exist across the two collections.

Results for "Dress form"12 records

Institutions answered newest-first by record, interleaved

Dress by an unrecorded maker, The Metropolitan Museum of Art

Dress

Unrecorded maker

1840–45 · silk

Cleared · Public Domain

live
The MetSimilar
The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night by an unrecorded maker, The Cleveland Museum of Art

The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening dress

House of Vionnet (d. 1939)

ca. 1936 · silk

In copyright

live
The MetSimilar
Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, from a Tuti-nama (Tales of a Parrot): Eighteenth Night by an unrecorded maker, The Cleveland Museum of Art

Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dress form

Charles James (d. 1978)

1949 · plaster

In copyright

live
The MetSimilar
Actresses in Their Dressing Rooms by Edgar Degas, The Cleveland Museum of Art

Actresses in Their Dressing Rooms

Edgar Degas (d. 1917)

1879–80 · Print, etching and aquatint on Arches laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dress form

Charles James (d. 1978)

ca. 1950 · Plaster

In copyright

live
The MetSimilar
Woman Ironing by Édouard Vuillard, The Cleveland Museum of Art

Woman Ironing

Édouard Vuillard (d. 1940)

1892 · Painting, oil on board

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dress form

Charles James (d. 1978)

ca. 1950 · Plaster

In copyright

live
The MetSimilar
Portrait of Lady Grace Anna Newenham by Horace Hone, The Cleveland Museum of Art

Portrait of Lady Grace Anna Newenham

Horace Hone (d. 1825)

1784 · Portrait Miniature, watercolor on ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dress Form, Half

Charles James (d. 1978)

1957 · paper, synthetic

In copyright

live
The MetSimilar
Virgin and Child, with Saints Anthony Abbott, Mark, Severino, and Sebastian by Lorenzo da Sanseverino, The Cleveland Museum of Art

Virgin and Child, with Saints Anthony Abbott, Mark, Severino, and Sebastian

Lorenzo da Sanseverino (d. 1500)

c. 1490–96 · Painting, tempera on gold wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.