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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1026 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 86 matching records exist across the two collections.

Results for "Drum panel with scenes of the Great Depa"12 records

Institutions answered newest-first by record, interleaved

Drum panel with scenes of the Great Departure and Temptation of the Buddha by an unrecorded maker, The Metropolitan Museum of Art

Drum panel with scenes of the Great Departure and Temptation of the Buddha

Unrecorded maker

first half 3rd century CE · Limestone

Cleared · Public Domain

live
The MetSimilar
Panel with the Flagellation of Christ by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Flagellation of Christ

Unrecorded maker

ca. 1500 · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Scourging of Christ by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Scourging of Christ

Unrecorded maker

ca. 1500 · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Baptism of Christ by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Baptism of Christ

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Garden of Gesthemane by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Garden of Gesthemane

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Kiss of Judas by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Kiss of Judas

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Lamentation by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Lamentation

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Last Supper by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Last Supper

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Nativity by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Nativity

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Razing of Lazarus by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Razing of Lazarus

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Temptation of Christ by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Temptation of Christ

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Visitation by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Visitation

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.