Funerary relief
Unrecorded maker
ca. 150–200 · Limestone
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
294 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
347 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Results for "Duel after the Masked Ball (recto)"10 records
Institutions answered newest-first by record, interleaved
Duel after the Masked Ball (recto)
Thomas Couture (d. 1879)
c. 1857 · Drawing, black chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Jupiter Fighting the Giants
Jacopo Zucchi (d. 1596)
1540–96 · Pen and brown ink, brush with brown and mauve wash, highlighted with white gouache, over traces of black chalk, on light tan laid paper
Cleared · Public Domain
liveThe MetSimilar
Duel after the Masked Ball (recto); Head of a Woman (verso)
Thomas Couture (d. 1879)
c. 1857 · Drawing, black chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Idée du tableau le plus touchant du Salon de l’an 9 (La Pauvre rentière)
Chevalier Férréol de Bonnemaison (d. 1826)
ca. 1800 · Etching and aquatint
Cleared · Public Domain
liveThe MetSimilar
Pocket watch
Robert Roskell (d. 1830)
1820–21 · Case: gold; Dial: gold with gold and steel hands; Movement: partly gilded brass, partly blued steel, and diamond
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hunter-case pocket watch
Firm of Vacheron and Constantin (d. 9999)
ca. 1844 · Case: gold; Dial: white enamel with gold hands; Movement: brass and steel
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Creation
House of Dior (d. 9999)
fall/winter 2005–6 · (a) silk, synthetic, cotton, wool, plastic, metal; (b, c) leather; (d) metal, synthetic, pearl, silk
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.