
Scenes from the Life of Saint Andrew
Unrecorded maker
late 14th century · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
479 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Scenes from the Life of Saint Andrew
Unrecorded maker
late 14th century · Tempera on wood, gold ground
Cleared · Public Domain
live
Manuscript Leaf with the Last Judgment, from a Book of Hours
Unrecorded maker
ca. 1400 · Tempera and gold on parchment
Cleared · Public Domain
live
The death of Saint Alexis Falconieri at Monte Senario
Bernardino Poccetti (d. 1612)
1548–1612 · Pen and brown ink, brush and brown wash, highlighted with white, over red chalk and some charcoal
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Charles Borromeo attending to the sick and dying people of Milan; he appears kneeling on the left holding a large, wooden crucifix surrounded by two male figures; the plague victims are splayed out on the ground to the right
Pietro da Cortona (Pietro Berrettini) (d. 1669)
ca. 1690–1740 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dying people imploring a saint kneeling on a cloud accompanied by angels, plate 27 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
Giovanni Battista Buratto (d. 1793)
1764 · Etching with red and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
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2. Read the arithmetic
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3. Seal and export
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