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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    221 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10,572 matching records exist across the two collections.

Results for "E, from "Sketches""12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sketches for Greek Style Vessels

Parke E. Edwards (d. 1973)

November 12, 1911 · Graphite

In copyright

live
The MetSimilar
Sketches of Animals (verso) by Perino del Vaga, The Cleveland Museum of Art

Sketches of Animals (verso)

Perino del Vaga (d. 1547)

c. 1545/47 · Drawing, pen and brown ink (iron gall) and brush and brown wash

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elementary Design: Rose Motif on the Verso, Sketches for Cradle

Parke E. Edwards (d. 1973)

March 27, 1912 · Graphite and watercolor, color ink and gouache

In copyright

live
The MetSimilar
Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso) by Perino del Vaga, The Cleveland Museum of Art

Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)

Perino del Vaga (d. 1547)

c. 1545/47 · Drawing, pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paint

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sketches for Chests

Parke E. Edwards (d. 1973)

1912 · Black and brown ink, graphite and watercolor

In copyright

live
The MetSimilar
Portrait of a man by an unrecorded maker, The Cleveland Museum of Art

Portrait of a man

Unrecorded maker

late 1700s · Drawing, Gum tempera on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sketches for Furniture, Showing Side Chairs, Benches and a Chest

Parke E. Edwards (d. 1973)

September 7, 1912 · Graphite and watercolor

In copyright

live
The MetSimilar
Three Cuttings from a Missal: Initial E with the Angels of the Entombment by an unrecorded maker, The Cleveland Museum of Art

Three Cuttings from a Missal: Initial E with the Angels of the Entombment

Unrecorded maker

c. 1470–1500 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sketches for Seats

Parke E. Edwards (d. 1973)

1912 · Graphite and watercolor and ink

In copyright

live
The MetSimilar
Church Bells Ringing, Rainy Winter Night by Charles Burchfield, The Cleveland Museum of Art

Church Bells Ringing, Rainy Winter Night

Charles Burchfield (d. 1967)

December 1917 · Drawing, watercolor and gouache over graphite on wove paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sketches for Tables, with Sketches of Linenfold Panelling on the Verso

Parke E. Edwards (d. 1973)

September 28, 1912 · Graphite and watercolor

In copyright

live
The MetSimilar
Aeneas Saving Anchises at the Fall of Troy by Federico Barocci, The Cleveland Museum of Art

Aeneas Saving Anchises at the Fall of Troy

Federico Barocci (d. 1612)

1587–88 · Drawing, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.