
Eagle relief
Toltec artist(s)
900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
771 ms. The Metropolitan Museum of Art, Collection API (Open Access)
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Eagle relief
Toltec artist(s)
900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment
Cleared · Public Domain
live
Eagle relief
Toltec artist(s)
900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment
Cleared · Public Domain
live
Front Half of a Tournament Helm
Unrecorded maker
ca. 1510–20 · Steel, leather
Cleared · Public Domain
live
Samson and the Philistines
Michelangelo Buonarroti (d. 1564)
ca. 1550 · Bronze
Cleared · Public Domain
live
The east end of Rievaulx Abbey, Yorkshire
John Sell Cotman (d. 1842)
1803 · Watercolor and graphite with reductive techniques
Cleared · Public Domain
live
Easby Abbey. From the East
Joseph Cundall (d. 1895)
1850s · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recueil de Paysages par Sandby
Paul Sandby (d. 1809)
1750–65 (or later) · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picturesque Views on the River Medway, from the Nore to the Vicinity of its Source in Sussex: with Observations on the Public Buildings and Other Works of Art in its Neighborhood
Samuel Ireland (d. 1800)
1793 · Illustrations: engraving, aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.