Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    771 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    331 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Easby Abbey. From the East"9 records

Institutions answered newest-first by record, interleaved

Eagle relief by Toltec artist(s), The Metropolitan Museum of Art

Eagle relief

Toltec artist(s)

900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment

Cleared · Public Domain

live
The MetSimilar
Eagle relief by Toltec artist(s), The Metropolitan Museum of Art

Eagle relief

Toltec artist(s)

900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment

Cleared · Public Domain

live
The MetSimilar
Front Half of a Tournament Helm by an unrecorded maker, The Metropolitan Museum of Art

Front Half of a Tournament Helm

Unrecorded maker

ca. 1510–20 · Steel, leather

Cleared · Public Domain

live
The MetSimilar
Samson and the Philistines by Michelangelo Buonarroti, The Metropolitan Museum of Art

Samson and the Philistines

Michelangelo Buonarroti (d. 1564)

ca. 1550 · Bronze

Cleared · Public Domain

live
The MetSimilar
The east end of Rievaulx Abbey, Yorkshire by John Sell Cotman, The Metropolitan Museum of Art

The east end of Rievaulx Abbey, Yorkshire

John Sell Cotman (d. 1842)

1803 · Watercolor and graphite with reductive techniques

Cleared · Public Domain

live
The MetSimilar
Easby Abbey.  From the East by Joseph Cundall, The Metropolitan Museum of Art

Easby Abbey. From the East

Joseph Cundall (d. 1895)

1850s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Recueil de Paysages par Sandby

Paul Sandby (d. 1809)

1750–65 (or later) · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Picturesque Views on the River Medway, from the Nore to the Vicinity of its Source in Sussex: with Observations on the Public Buildings and Other Works of Art in its Neighborhood

Samuel Ireland (d. 1800)

1793 · Illustrations: engraving, aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Samuel John Carter (d. 1892)

1871–75 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.