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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    452 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 138 matching records exist across the two collections.

Results for "Ecclesiastical Embroidery (Epigonation)"12 records

Institutions answered newest-first by record, interleaved

Embroidered Textile with Three Saints by an unrecorded maker, The Metropolitan Museum of Art

Embroidered Textile with Three Saints

Unrecorded maker

12th century · Cotton; embroidered in gold wrapped thread and silk

Cleared · Public Domain

live
The MetSimilar
Ecclesiastical Embroidery (Epigonation) by an unrecorded maker, The Cleveland Museum of Art

Ecclesiastical Embroidery (Epigonation)

Unrecorded maker

1600s–1700s · Embroidery, embroidery; silk and metallic threads

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saints Peter, Catherine, Thomas, and Barbara, probably from an Orphrey by an unrecorded maker, The Metropolitan Museum of Art

Saints Peter, Catherine, Thomas, and Barbara, probably from an Orphrey

Unrecorded maker

mid-15th century · Metal thread and colored silks on linen

Cleared · Public Domain

live
The MetSimilar
Ecclesiastical Embroidery (Epigonation) by an unrecorded maker, The Cleveland Museum of Art

Ecclesiastical Embroidery (Epigonation)

Unrecorded maker

17th century · Embroidery, embroidery; silk and metallic threads

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Chasuble by an unrecorded maker, The Metropolitan Museum of Art

Chasuble

Unrecorded maker

ca. 1650 · Metal thread on silk

Cleared · Public Domain

live
The MetSimilar
Epigonation (Palitsa) by an unrecorded maker, The Metropolitan Museum of Art

Epigonation (Palitsa)

Unrecorded maker

16th–17th century · Silk, metal thread, and pearl embroidery on a foundation of silk satin; tassels of metal thread and pearls

Cleared · Public Domain

live
The MetSimilar
Doll by an unrecorded maker, The Metropolitan Museum of Art

Doll

Unrecorded maker

1740–60 · silk

Cleared · Public Domain

live
The MetSimilar
Shirt by an unrecorded maker, The Metropolitan Museum of Art

Shirt

Unrecorded maker

late 19th century · cotton

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Ecclesiastical Embroidery

Ernest Geldart (d. 1929)

1888 · Graphite, pen and ink with watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Vestment for Rev. E. McCurdy, St. Augustine's Church, Brooklyn, N.Y."

Louis C. Tiffany (d. 1933)

ca. 1892–1915 · Watercolor, metallic paint, and graphite on paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Ecclesiastical Embroidery -- Cross Stitch Pattern

Ernest Geldart (d. 1929)

late 19th–early 20th century · Watercolor, pen and black ink over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Ecclesiastical Embroidery -- Veil and Bun

Ernest Geldart (d. 1929)

late 19th–early 20th century · Watercolor, pen and black ink over graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.