
Textile with Musicians
Unrecorded maker
13th century · Silk, gilt animal substrate around a silk core; lampas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
983 ms. The Metropolitan Museum of Art, Collection API (Open Access)
535 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Textile with Musicians
Unrecorded maker
13th century · Silk, gilt animal substrate around a silk core; lampas
Cleared · Public Domain
live
Part of a Chasuble
Unrecorded maker
c. 1500 · Embroidery, Silk, gold filé; appliqué, embroidery: couching stitches Velvet: solid pile, silk
Cleared · CC0
live
Head of a Bearded King
Unrecorded maker
ca. 14th century · White marble, traces of red paint and gilding
Cleared · Public Domain
live
Altar Cloth
Unrecorded maker
c. 1350 · Embroidery, embroidery: linen
Cleared · CC0
live
Textile Fragment
Unrecorded maker
late 14th–early 15th century · Silk; lampas
Cleared · Public Domain
live
Chasuble
Unrecorded maker
c. 1760–70 · Textile, taffeta, brocaded; silk, silver, and gold thread
Cleared · CC0
live
Length of velvet
Unrecorded maker
late 15th century · Silk, metal thread
Cleared · Public Domain
live
Panel with Joachim's Offering Rejected
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
live
Chest (petaca)
Unknown
ca. 1772 · Rattan structure covered with leather, embroidered with agave fiber and lined with fabric; forged, chased and openwork iron lock and hardware
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the East Nave; Godfrey of Bouillon, by Simonis, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ecclesiastical Furnishings...
J. & R. Lamb (d. 1900)
1886 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marble and glass mosaic font for Miss. G.C. Marson, Buffalo, New York
Louis C. Tiffany (d. 1933)
1902–15 · Watercolor, gouache, and graphite on off-white wove paper, original mat removed
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.