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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    358 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    718 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 81 matching records exist across the two collections.

Results for "Ecclesiastical Scene, from "L'Artiste""12 records

Institutions answered newest-first by record, interleaved

Game Piece with a Scene from the Life of Apollonius of Tyre by an unrecorded maker, The Metropolitan Museum of Art

Game Piece with a Scene from the Life of Apollonius of Tyre

Unrecorded maker

ca. 1170 · Walrus ivory

Cleared · Public Domain

live
The MetSimilar
Apparel from a Dalmatic by an unrecorded maker, The Cleveland Museum of Art

Apparel from a Dalmatic

Unrecorded maker

1500s · Embroidery, Silk, gold thread; embroidery: or nué (shaded gold)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Last Supper by an unrecorded maker, The Metropolitan Museum of Art

The Last Supper

Unrecorded maker

ca. 1500–1530 · Limestone, traces of polychromy

Cleared · Public Domain

live
The MetSimilar
Commemorating the two Jesuit Saints: Ignatius Loyola (Founder), and Francis Xavier (1506–1552) (greatest missionary) by an unrecorded maker, The Metropolitan Museum of Art

Commemorating the two Jesuit Saints: Ignatius Loyola (Founder), and Francis Xavier (1506–1552) (greatest missionary)

Unrecorded maker

1677 · Wax, partially painted obverse

Cleared · Public Domain

live
The MetSimilar
Italianate river landscape by William Taverner, The Metropolitan Museum of Art

Italianate river landscape

William Taverner (d. 1772)

1750–60 · Watercolor, gouache (bodycolor) and iron gall ink over graphite on three joined sheets

Cleared · Public Domain

live
The MetSimilar
Giotto and Cimabue, from "L'Artiste" by Armand Vastine, The Metropolitan Museum of Art

Giotto and Cimabue, from "L'Artiste"

Armand Vastine (d. 1852)

July 7, 1844 · Lithograph

Cleared · Public Domain

live
The MetSimilar
The Abduction of Rebecca by Edmond Hédouin, The Metropolitan Museum of Art

The Abduction of Rebecca

Edmond Hédouin (d. 1889)

1846 · Etching

Cleared · Public Domain

live
The MetSimilar
La Pietà by Eugène Delacroix, The Metropolitan Museum of Art

La Pietà

Eugène Delacroix (d. 1863)

1852 · Etching on chine collé; second state of two

Cleared · Public Domain

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The MetSimilar
The Missionary's Adventures by Jean-Georges Vibert, The Metropolitan Museum of Art

The Missionary's Adventures

Jean-Georges Vibert (d. 1902)

ca. 1883 · Oil on wood

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ecclesiastical Scene, from "L'Artiste"

Anonymous, French, 19th century (d. 1900)

ca. 1870–72 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spanish Scene, from "L'Artiste"

Anonymous, French, 19th century (d. 1900)

ca. 1870–72 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Magnolias and Irises

Louis C. Tiffany (d. 1933)

ca. 1908 · Leaded Favrile glass

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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