Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
308 ms. The Metropolitan Museum of Art, Collection API (Open Access)
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Edge of the Water (Au Bord de L'Eau)
Alphonse Legros (d. 1911)
c. 1857–1911 · Print, etching
Cleared · CC0
live
Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching and letterpress; second state of two (Lieure)
Cleared · Public Domain
live
Stags at the Water's Edge
Charles-François Daubigny (d. 1878)
1850 · Etching; sixth state of seven (Delteil)
Cleared · Public Domain
live
Ayant eu la facheuse idée d'aller...au bord de l'eau, from Croquis d'Été, published in Le Charivari, September 3, 1856
Honoré Daumier (d. 1879)
September 3, 1856 · Lithograph; second state of two (Delteil)
Cleared · Public Domain
live
Cowherd, at Water's Edge
Camille Pissarro (d. 1903)
1890 · etching and drypoint on laid paper; eighth state of eight
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1646 · Etching and letterpress; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
After Claude Lorrain's "Danse au bord de l'eau"
John Clerk of Eldin (d. 1812)
1770–82 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deux Baigneuses au Bord de l'Eau (Two Bathers at the Edge of the Water), published in Revue Fantaisiste, May 15, 1861
Rodolphe Bresdin (d. 1885)
1861 · Etching; first state of two (Van Gelder)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Estampe et L'Affiche
Clément-Janin
1899 · Etchings, lithographs, drypoints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deux Baigneuses au Bord de l'Eau (Two Bathers at the Edge of the Water)
Rodolphe Bresdin (d. 1885)
after 1861 · Etching; second state of two (Van Gelder)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pathway On The Waterfront
Alfred-Louis Brunet-Debaines (d. 1939)
late 19th century · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.