Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
446 ms. The Metropolitan Museum of Art, Collection API (Open Access)
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano
Marco Marchetti (Marco da Faenza) (d. 1588)
1561–88 · Pen and brown ink, brush and brown wash over traces of black chalk
Cleared · Public Domain
live
Elevation for a Wall Decoration Scheme for a Church Interior with Scenes dedicated to the Legend of the Holy Cross
Anonymous, Central European, 18th century (d. 1800)
ca. 1710–30 · Pen and brown ink, partially over graphite
Cleared · Public Domain
live
Wall Elevation with a Double Door, from 'Wandfüllungen'
Franz Xavier Habermann (d. 1796)
ca. 1748–70 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elevation for a Paneled Wall in Louis XVI style with Draperies and an Armchair
Anonymous, French, 19th century (d. 1900)
ca. 1860–1910 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Wall Elevation with Magnolias
Auguste Herbst (d. 1951)
1898 · Pen and gray ink, brush and crimson, rose and green wash, heightened with silver and gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Wall Elevation with a Double Glass door and Two Painted Panels (Fourth Floor)
Mewès and Davis (d. 1950)
ca. 1900–14 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Wall Elevation with a Large Mirror and Sofa (Fourth Floor)
Mewès and Davis (d. 1950)
ca. 1900–14 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Edgemere: Door Wall Elevation with Settee
Ogden Codman, Jr. (d. 1951)
ca. 1896–97 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Edgemere: Fireplace Wall Elevation with Tapastries
Ogden Codman, Jr. (d. 1951)
ca. 1896–97 · Watercolor and pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: Door Wall Elevation with Painted Scenes
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: Fireplace Wall Elevation, with Painted Scene and Door
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Pencil on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breakers: Wall Elevation with Door
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
live1. Pin the work
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2. Read the arithmetic
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3. Seal and export
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