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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    353 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 156 matching records exist across the two collections.

Results for "Egba Bracelet with Three Heads"12 records

Institutions answered newest-first by record, interleaved

Limestone male figure in Egyptian dress by an unrecorded maker, The Metropolitan Museum of Art

Limestone male figure in Egyptian dress

Unrecorded maker

mid-6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Pair of bracelets with rock crystal hoops and gold rams' heads by an unrecorded maker, The Metropolitan Museum of Art

Pair of bracelets with rock crystal hoops and gold rams' heads

Unrecorded maker

ca. 330–300 BCE · Gold, rock crystal

Cleared · Public Domain

live
The MetSimilar
Limestone statuette of a temple boy by an unrecorded maker, The Metropolitan Museum of Art

Limestone statuette of a temple boy

Unrecorded maker

3rd–1st century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Snake bracelet by an unrecorded maker, The Metropolitan Museum of Art

Snake bracelet

Unrecorded maker

1st century CE · Gold

Cleared · Public Domain

live
The MetSimilar
Egba Bracelet with Three Heads by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Egba Bracelet with Three Heads

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

18th–19th century · Brass, copper alloy

Cleared · Public Domain

live
The MetSimilar
Egba Bracelet with Crocodile Heads by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Egba Bracelet with Crocodile Heads

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

16th–19th century · Brass

Cleared · Public Domain

live
The MetSimilar
Bracelet (Kada), One of a Pair by an unrecorded maker, The Metropolitan Museum of Art

Bracelet (Kada), One of a Pair

Unrecorded maker

19th century · Gold and Rubies

Cleared · Public Domain

live
The MetSimilar
Bracelet with Lion Hinges by an unrecorded maker, The Metropolitan Museum of Art

Bracelet with Lion Hinges

Unrecorded maker

19th century · Gold; set with diamonds and rubies

Cleared · Public Domain

live
The MetSimilar
Pendant, One of a Pair by an unrecorded maker, The Metropolitan Museum of Art

Pendant, One of a Pair

Unrecorded maker

19th century · Silver, coral, amber, turquoise

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bracelet

Charles F. Mason (d. 9999)

1881 · Gold and red glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Armband, One of a Pair

Unrecorded maker

late 19th–early 20th century · Silver, chased, with gilt embossing, decorative wire, stamped beading, tablecut carnelians, and turquoise beads

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young woman

Unrecorded maker

1975 · Gelatin silver print

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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