
Piazza e Portici della Basilica Vaticana from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...)
Giovanni Battista Falda (d. 1678)
1665–69 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
354 ms. The Metropolitan Museum of Art, Collection API (Open Access)
388 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 920 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Piazza e Portici della Basilica Vaticana from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...)
Giovanni Battista Falda (d. 1678)
1665–69 · Etching
Cleared · Public Domain
live
Eighteen Views of Rome: The Campidoglio
Lievin Cruyl (d. 1720)
1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
Cleared · CC0
live
Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano'
Gian Lorenzo Bernini (d. 1680)
1653–91 · Engraving
Cleared · Public Domain
live
Eighteen Views of Rome: The Ponte Rotto
Lievin Cruyl (d. 1720)
1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
Cleared · CC0
live
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano'
François Spierre (d. 1681)
1666 (or after) · Engraving (two plates)
Cleared · Public Domain
live
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink
Cleared · CC0
live
Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Overview of the Nave
Giacomo Sangermano (d. 1773)
ca. 1773 · Etching
Cleared · Public Domain
live
Eighteen Views of Rome: The Castel Sant'Angelo
Lievin Cruyl (d. 1720)
1665 · Drawing, pen and brown ink and brush and gray wash over graphite; squared in graphite; framing lines in brown ink
Cleared · CC0
live
Interior View of the Basilica of Santa Maria Maggiore, Rome
Anton Hallmann (d. 1845)
1833 · Watercolor, pen and ink over graphite
Cleared · Public Domain
live
Eighteen Views of Rome: The Piazza Barberini (recto)
Lievin Cruyl (d. 1720)
1665 · Drawing, pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica
Giacomo Sangermano (d. 1773)
ca. 1773 · Etching
In copyright
live
Eighteen Views of Rome: The Church of Sant'Ignazio
Lievin Cruyl (d. 1720)
1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.