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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    354 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    388 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 920 matching records exist across the two collections.

Results for "Eighteen Views of Rome: The Basilica of"12 records

Institutions answered newest-first by record, interleaved

Piazza e Portici della Basilica Vaticana from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...) by Giovanni Battista Falda, The Metropolitan Museum of Art

Piazza e Portici della Basilica Vaticana from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...)

Giovanni Battista Falda (d. 1678)

1665–69 · Etching

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Campidoglio by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Campidoglio

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano' by Gian Lorenzo Bernini, The Metropolitan Museum of Art

Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano'

Gian Lorenzo Bernini (d. 1680)

1653–91 · Engraving

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Ponte Rotto by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Ponte Rotto

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano' by François Spierre, The Metropolitan Museum of Art

Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano'

François Spierre (d. 1681)

1666 (or after) · Engraving (two plates)

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Basilica of Santa Maria Maggiore

Lievin Cruyl (d. 1720)

1664 · Drawing, pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Overview of the Nave by Giacomo Sangermano, The Metropolitan Museum of Art

Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Overview of the Nave

Giacomo Sangermano (d. 1773)

ca. 1773 · Etching

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Castel Sant'Angelo by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Castel Sant'Angelo

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash over graphite; squared in graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Interior View of the Basilica of Santa Maria Maggiore, Rome by Anton Hallmann, The Metropolitan Museum of Art

Interior View of the Basilica of Santa Maria Maggiore, Rome

Anton Hallmann (d. 1845)

1833 · Watercolor, pen and ink over graphite

Cleared · Public Domain

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The MetSimilar
Eighteen Views of Rome: The Piazza Barberini (recto) by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Piazza Barberini (recto)

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica

Giacomo Sangermano (d. 1773)

ca. 1773 · Etching

In copyright

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The MetSimilar
Eighteen Views of Rome: The Church of Sant'Ignazio by Lievin Cruyl, The Cleveland Museum of Art

Eighteen Views of Rome: The Church of Sant'Ignazio

Lievin Cruyl (d. 1720)

1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar

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