
Plate Depicting a Female Figure Riding a Fantastic Winged Beast
Unrecorded maker
probably 8th century · Silver; gilded, chased, and engraved, with applied elements
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
526 ms. The Metropolitan Museum of Art, Collection API (Open Access)
330 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 704 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate Depicting a Female Figure Riding a Fantastic Winged Beast
Unrecorded maker
probably 8th century · Silver; gilded, chased, and engraved, with applied elements
Cleared · Public Domain
live![New Inventions of Modern Times [Nova Reperta], The Production of Silk, plate 8 by Jan Collaert I, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP841127.jpg)
New Inventions of Modern Times [Nova Reperta], The Production of Silk, plate 8
Jan Collaert I (d. 1581)
ca. 1600 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11: Deer Hunting with Falcon, from Hunting Scenes IV
Antonio Tempesta (d. 1630)
1586 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 8: Domi. exau, from "Septem Psalmi Davidici" (Seven Psalms of David)
Melchior Model (d. 1608)
1608 · Engraving. gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eighth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fifth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
First plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fourth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Second plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seventh plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Third plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 8, from "Samarkande"
Emile-Allain Séguy (d. 1951)
ca. 1914 · Pochoir
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.