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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    987 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    289 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 656 matching records exist across the two collections.

Results for "Elephants by a Pool"12 records

Institutions answered newest-first by record, interleaved

The Lyon (Recumbent Lion by a Pool) by George Townley Stubbs, The Metropolitan Museum of Art

The Lyon (Recumbent Lion by a Pool)

George Townley Stubbs (d. 1815)

August 12, 1776 · Mezzotint; third state of three

Cleared · Public Domain

live
The MetSimilar
Elephants by a Pool by Antoine-Louis Barye, The Metropolitan Museum of Art

Elephants by a Pool

Antoine-Louis Barye (d. 1875)

1810–75 · Watercolor on wove paper

Cleared · Public Domain

live
The MetSimilar
The Pool at Jas de Bouffan by Paul Cézanne, The Metropolitan Museum of Art

The Pool at Jas de Bouffan

Paul Cézanne (d. 1906)

ca. 1885–86 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Pool Lighted Studio by Jian Guzhai, The Metropolitan Museum of Art

Pool Lighted Studio

Jian Guzhai

late 19th–early 20th century · Black ink

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Farm Buildings by a Pool

John Crome (d. 1821)

1812–13 · Etching on chine collé; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Farm Buildings by a Pool, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1812–34 · Etching on chine collé; second (?) state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pool Dornie

Sir Francis Seymour Haden (d. 1910)

1874–78 · Etching and drypoint; first state of two (Harrington); fourth state of six (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Bustin The Pool"

Thomas B. Worth (d. 1917)

1889 · Lithograph, printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Cavorting by the Pool at Garsington]

Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (d. 1938)

ca. 1916 · Gelatin silver prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Cavorting by the Pool at Garsington]

Lady Ottoline Violet Anne Cavendish-Bentinck Morrell (d. 1938)

ca. 1916 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pool Parlor

Jacob Lawrence (d. 2000)

1942 · Watercolor and gouache on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Winter Pool

Robert Rauschenberg (d. 2008)

1959 · Combine painting: oil, paper, fabric, wood, metal, sandpaper, tape, printed paper, printed reproductions, handheld bellows, and found painting, on two canvases, with ladder

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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