Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    393 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    268 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,985 matching records exist across the two collections.

Results for "Elevation and Section of a Columbarium"12 records

Institutions answered newest-first by record, interleaved

Elevation and Section by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Elevation and Section

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, washed

Cleared · Public Domain

live
The MetSimilar
Elevation and Section of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Elevation and Section of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Elevation of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Elevation of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and brown wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Elevation of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Elevation of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Elevation of the Interior of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Elevation of the Interior of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Plan, Section and Exterior Elevation of a Villa by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Plan, Section and Exterior Elevation of a Villa

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and light brown wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Section (Interior Elevation) of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Section (Interior Elevation) of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over traces of ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Section of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Section of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and brown wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Section of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Section of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and brown wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Plan of Niche in a Columbarium with a Section, Elevation and Top View of a Funerary Urn by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Plan of Niche in a Columbarium with a Section, Elevation and Top View of a Funerary Urn

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–1927 · Pen and brown ink, brush and gray wash, over traces of ruling in graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevation, Floorplan, Side View and Section of a Monumental Wall Cabinet

Jakob Anton Zoegger

ca. 1710–1740 · Pen and ink with wash and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevation and section of a church in gothic style

Ernest Geldart (d. 1929)

late 19th–early 20th century · Pen and ink, over graphite, with watercolor

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.