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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    219 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 3,987 matching records exist across the two collections.

Results for "Elevation and Section of the Catafalque"12 records

Institutions answered newest-first by record, interleaved

Section and elevation of the Colosseum in Rome by Giovanni Ambrogio Brambilla, The Metropolitan Museum of Art

Section and elevation of the Colosseum in Rome

Giovanni Ambrogio Brambilla (d. 1599)

1581 · Etching

Cleared · Public Domain

live
The MetSimilar
Elevation and Section by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Elevation and Section

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, washed

Cleared · Public Domain

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The MetSimilar
Elevation and Section for a Catafalque for the Dauphin of France, d. 1711 by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Elevation and Section for a Catafalque for the Dauphin of France, d. 1711

Giuseppe Galli Bibiena (d. 1756)

ca. 1711 · Pen and brown ink, brush and brown and gray wash, over graphite underdrawing and ruling; probably compass ruling

Cleared · Public Domain

live
The MetSimilar
Elevation and Section of a Columbarium by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Elevation and Section of a Columbarium

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Elevation and Section of the Catafalque for Anna Cristina, Wife of Carlo Emanuele III of Savoy by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Elevation and Section of the Catafalque for Anna Cristina, Wife of Carlo Emanuele III of Savoy

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Half Elevation and Half Section of Catafalque for a Duchess of Hanover, probably Sophia (1630–1714) by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Half Elevation and Half Section of Catafalque for a Duchess of Hanover, probably Sophia (1630–1714)

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Catafalque for the Empress Catherine the Great of Russia (Front Elevation). by Vincenzo Brenna, The Metropolitan Museum of Art

Catafalque for the Empress Catherine the Great of Russia (Front Elevation).

Vincenzo Brenna (d. 1820)

1796 · Pen and gray-black ink, brush and watercolor, over traces of graphite of leadpoint

Cleared · Public Domain

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The MetSimilar
Catafalque of the Empress Catherine the Great of Russia (Side Elevation). by Vincenzo Brenna, The Metropolitan Museum of Art

Catafalque of the Empress Catherine the Great of Russia (Side Elevation).

Vincenzo Brenna (d. 1820)

1796 · Pen and gray-black ink, brush and watercolor, over traces of graphite or leadpoint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Catafalque of the Infante Baltasar Carlos: Side Elevation

Wenceslaus Hollar (d. 1677)

1647 · Etching; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevation, Floorplan, Side View and Section of a Monumental Wall Cabinet

Jakob Anton Zoegger

ca. 1710–1740 · Pen and ink with wash and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevation of Catafalque, probably for The Dauphin

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen and brown ink, brush and brown and gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevation of the Catafalque for Empress Eleonora of Austria

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen and brown ink, brush and gray wash, over black chalk; squared in black chalk

In copyright

live
The MetSimilar

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