Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    331 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 806 matching records exist across the two collections.

Results for "Elevations, sections, and details of Sai"12 records

Institutions answered newest-first by record, interleaved

Pantheon, perspective elevation, partial plans, Corinthian pilaster capital and alcove details (recto) Pantheon, perspective sections, alcove elevations, partial plans (verso) by Anonymous, French, 16th century, The Metropolitan Museum of Art

Pantheon, perspective elevation, partial plans, Corinthian pilaster capital and alcove details (recto) Pantheon, perspective sections, alcove elevations, partial plans (verso)

Anonymous, French, 16th century (d. 1600)

early to mid-16th century · Dark brown ink, black chalk, and incised lines

Cleared · Public Domain

live
The MetSimilar
Details of Theatre Interior: Interior Elevation of Corridor and Sections by Giuseppe Galli Bibiena, The Metropolitan Museum of Art

Details of Theatre Interior: Interior Elevation of Corridor and Sections

Giuseppe Galli Bibiena (d. 1756)

1696–1756 · Pen, brown ink with blue and brown washes

Cleared · Public Domain

live
The MetSimilar
Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew by Sir William Chambers, The Metropolitan Museum of Art

Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash, watercolor and gouache (bodycolor)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Plans, Elevations, And Sections; Chimney-Pieces, and Ceilings of Houghton in Norfolk . . .

Isaac Ware (d. 1766)

1735 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings at Kew in Surrey,...

Sir William Chambers (d. 1796)

1763 · Illustrations: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sections of the Mosque at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash, watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountains, Porte-Cocheres, Elevations and Sections of Town-Houses, Chimneys

A. Le Canu (d. 1770)

ca. 1762 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New Designs In Architecture, Constisting of Plans, Elevations, And Sections For Various Buildings

George Richardson (d. 1813)

1792 · Illustrations: etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bound collection of architectural plates; plans, elevations and sections

Claude Nicolas Ledoux (d. 1806)

about 1804 · Letterpress and engraved illustrations

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plans, Elevations, and Sections, of Buildings Public and Private, Executed in Various Parts of England, &c Including the New Custom-House, London, with Plans, Details, and Descriptions.

David Laing (d. 1856)

1818 · Illustrations: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevations, sections, and details of Saint Peter's Church, Wilcote, Oxfordshire

John Chessell Buckler (d. 1894)

1844 · Illustrations: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Elevations and Two Sections, Little House, Wayzata, MN

Frank Lloyd Wright (d. 1959)

ca. 1912 · Blueline print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.