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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    259 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    351 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Elijah's Ascension in a Chariot of Fire,"12 records

Institutions answered newest-first by record, interleaved

Terracotta lekythos (oil flask) by Painter of New York 07, The Metropolitan Museum of Art

Terracotta lekythos (oil flask)

Painter of New York 07

ca. 520 BCE · Terracotta

Cleared · Public Domain

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The MetSimilar
Terracotta amphora (jar) by Princeton Painter, The Metropolitan Museum of Art

Terracotta amphora (jar)

Princeton Painter

ca. 500–490 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Mandala of the Sun God Surya by Kitaharasa, The Metropolitan Museum of Art

Mandala of the Sun God Surya

Kitaharasa

likely 1379 · Distemper on cotton

Cleared · Public Domain

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The MetSimilar
The Triumph of Love, from "The Triumphs of Petrarch" by Francesco Rosselli, The Metropolitan Museum of Art

The Triumph of Love, from "The Triumphs of Petrarch"

Francesco Rosselli (d. 1527)

1480–1500 · Engraving; first state of two

Cleared · Public Domain

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The MetSimilar
Elijah in the Fiery Chariot by Master of the Barbarigo Reliefs, The Metropolitan Museum of Art

Elijah in the Fiery Chariot

Master of the Barbarigo Reliefs (d. 1575)

ca. 1520 · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch by Giovanni de' Vecchi, The Metropolitan Museum of Art

Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch

Giovanni de' Vecchi (d. 1615)

ca. 1600 · Pen and brown ink, over black chalk (architectural elements); red chalk, pen and brown ink, traces of black chalk (narrative scenes)

Cleared · Public Domain

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The MetSimilar
The Passing of Venus by Sir Edward Burne-Jones, The Metropolitan Museum of Art

The Passing of Venus

Sir Edward Burne-Jones (d. 1898)

1898 · Gouache (bodycolor) and metallic paint on cardboard

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ascension of Elijah in the Chariot of Fire, from "Scenes from the Old Testament," a series of eleven plates

Maerten de Vos (d. 1603)

ca. 1581–82 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elijah's Ascension in a Chariot of Fire, from the series The Story of Elijah and Elisha (2 Kings 2.11)

Peeter van der Borcht (d. 1608)

1590 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elijah's Ascension in a Chariot of Fire, from the series The Story of Elijah and Elisha (2 Kings 2.11)

Peeter van der Borcht (d. 1608)

late 16th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elie Enlevé Dans Un Char De Feu (Elijah Born Aloft in a Chariot of Fire over Niagara Falls)

Sébastien Leclerc I (d. 1714)

ca. 1700 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The element of Fire cupids make arrows in the forge of Vulcan who is seen reclining on the left; Venus in her chariot rides across the sky; Semele lies on the left her heart pierced with love's arrow, and her lover Jupiter hovers in the centre, clutching thunderbolts; a circular composition

Nicolas de Larmessin III (d. 1755)

ca. 1700–1740 · Etching and engraving

In copyright

live
The MetSimilar

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