
Ostrakon
Unrecorded maker
4th–7th century · Wood with ink inscription
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
774 ms. The Metropolitan Museum of Art, Collection API (Open Access)
424 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ostrakon
Unrecorded maker
4th–7th century · Wood with ink inscription
Cleared · Public Domain
live
A Putto Seated on a Frame
Girolamo Mazzola Bedoli (d. 1570)
ca. 1538–40 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk
Cleared · Public Domain
live
Sampler
Mary Munro (d. 1815)
1788 · Silk embroidery on linen
Cleared · Public Domain
live
The Martyrdom of Saint Hippolytus
Simon Julien (d. 1800)
18th century · Pen and brown ink, brush and brown and gray wash, over red chalk
Cleared · Public Domain
live
Private School
Thomas Rowlandson (d. 1827)
May 10, 1802 · Hand-colored etching
Cleared · Public Domain
live
Ely Cathedral, from the Grammar School
Roger Fenton (d. 1819)
1857 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Memorial painting
Sally Miller (d. 9999)
1811 · Watercolor and ink on silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Monk's Entrance Ely Cathedral, Cambridgeshire
John Sell Cotman (d. 1842)
1819 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Watt's First Experiment, from "The Art Journal," opp. p. 140
Herbert Bourne (d. 1907)
July 1868 · Engraving with etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Alhambra
Alice Cordelia Morse (d. 1961)
1892 · Cream cloth covered boards with gold, green and blue decoration
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Footed bowl
Parke Edwards (d. 1973)
1913 · Stoneware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Footed bowl
Parke Edwards (d. 1973)
1913 · Stoneware
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.