
Square Piano
Unrecorded maker
late 18th century · Black walnut, pine, sycamore, bone, iron, various materials
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
229 ms. The Metropolitan Museum of Art, Collection API (Open Access)
325 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 451 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Square Piano
Unrecorded maker
late 18th century · Black walnut, pine, sycamore, bone, iron, various materials
Cleared · Public Domain
live
The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst
Thomas Cole (d. 1848)
1843 · Graphite and white gouache on green wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Petit Journal pour rire, Volume 1, numbers 1–52
Charles-Albert Arnoux Bertall (d. 1882)
1856 · Wood engravings and lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Petit Journal pour rire, Volume 14, numbers 1–52, new series
Jules-Jean-Antoine Baric (d. 1905)
1869 · Wood engravings and lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Windmill Hill, No. 1
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; first state of two (Harrington); fourth state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Encombe Woods, No. 1
Sir Francis Seymour Haden (d. 1910)
1881 · Etching with graphite (counterproof); second state of four (Schneiderman); trial proof b (Harrington)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Encombe Woods, No. 1
Sir Francis Seymour Haden (d. 1910)
1881 · Etching with graphite; cancelled plate (Harrington); fourth state of four (fragment, cancelled plate) (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Encombe Woods, No. 2
Sir Francis Seymour Haden (d. 1910)
1881–82 · Etching with graphite; first state of two (Harrington); seventh state of ten (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Paris Vivant: Le Journal
Clovis Hugues
June 25, 1890 · Wood engraving, etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 2
Charles Haslewood Shannon (d. 1937)
1892 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Music – A Sequence of Ten Cloud Photographs, No. 1
Alfred Stieglitz (d. 1946)
1922 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La carte surrealiste : première série
Georges Hugnet (d. 1974)
1937
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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