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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    229 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 451 matching records exist across the two collections.

Results for "Encombe Woods, No. 1"12 records

Institutions answered newest-first by record, interleaved

Square Piano by an unrecorded maker, The Metropolitan Museum of Art

Square Piano

Unrecorded maker

late 18th century · Black walnut, pine, sycamore, bone, iron, various materials

Cleared · Public Domain

live
The MetSimilar
The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst by Thomas Cole, The Metropolitan Museum of Art

The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst

Thomas Cole (d. 1848)

1843 · Graphite and white gouache on green wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Petit Journal pour rire, Volume 1, numbers 1–52

Charles-Albert Arnoux Bertall (d. 1882)

1856 · Wood engravings and lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Petit Journal pour rire, Volume 14, numbers 1–52, new series

Jules-Jean-Antoine Baric (d. 1905)

1869 · Wood engravings and lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Windmill Hill, No. 1

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first state of two (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Encombe Woods, No. 1

Sir Francis Seymour Haden (d. 1910)

1881 · Etching with graphite (counterproof); second state of four (Schneiderman); trial proof b (Harrington)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Encombe Woods, No. 1

Sir Francis Seymour Haden (d. 1910)

1881 · Etching with graphite; cancelled plate (Harrington); fourth state of four (fragment, cancelled plate) (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Encombe Woods, No. 2

Sir Francis Seymour Haden (d. 1910)

1881–82 · Etching with graphite; first state of two (Harrington); seventh state of ten (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Paris Vivant: Le Journal

Clovis Hugues

June 25, 1890 · Wood engraving, etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dial, No. 2

Charles Haslewood Shannon (d. 1937)

1892 · Illustrations: woodcuts, lithographs, photomechanical process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Music – A Sequence of Ten Cloud Photographs, No. 1

Alfred Stieglitz (d. 1946)

1922 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La carte surrealiste : première série

Georges Hugnet (d. 1974)

1937

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.