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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    289 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10,550 matching records exist across the two collections.

Results for "End of the Day"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

At the End of a Spring Day

George Henry Boughton (d. 1905)

1889 · Etching; proof

In copyright

live
The MetSimilar
Streams and Mountains without End by an unrecorded maker, The Cleveland Museum of Art

Streams and Mountains without End

Unrecorded maker

1100–1150 · Painting, handscroll; ink and slight color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The End of the Day, Gatun Lock

Joseph Pennell (d. 1926)

1912 · Lithograph

In copyright

live
The MetSimilar
The Ninth Day Literary Gathering at Xing’an [Temporary Retreat] by Fang Shishu, The Cleveland Museum of Art

The Ninth Day Literary Gathering at Xing’an [Temporary Retreat]

Fang Shishu (d. 1751)

1743 · Painting, Handscroll; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fin de Journée (End of the Day)

Auguste-Louis Lepère (d. 1918)

ca. 1908 · Wood engraving; first state

In copyright

live
The MetSimilar
River and Mountains on a Clear Autumn Day by Dong Qichang, The Cleveland Museum of Art

River and Mountains on a Clear Autumn Day

Dong Qichang (d. 1636)

c. 1624–27 · Painting, Handscroll; ink on Korean paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fin de Journée (End of the Day)

Auguste-Louis Lepère (d. 1918)

ca. 1908 · Wood engraving; first state

In copyright

live
The MetSimilar
Oath of the Peach Garden, from Romance of the Three Kingdoms by Matsumura Goshun, The Cleveland Museum of Art

Oath of the Peach Garden, from Romance of the Three Kingdoms

Matsumura Goshun (d. 1811)

c. 1780 · Painting, hanging scroll; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fin de Journée (End of the Day)

Auguste-Louis Lepère (d. 1918)

ca. 1908 · Wood engraving; finished state

In copyright

live
The MetSimilar
End of the Defile, Looking Back at Ali Musjid by John Burke, The Cleveland Museum of Art

End of the Defile, Looking Back at Ali Musjid

John Burke (d. 1915)

1878–80 · Photograph, albumen print

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

End of the Day

Gardner Hale (d. 1931)

1931 · Watercolor and pen and black ink on paper

In copyright

live
The MetSimilar
Sindhu (Saindhava) Ragaputra of Shri Raga, from a Ragamala by an unrecorded maker, The Cleveland Museum of Art

Sindhu (Saindhava) Ragaputra of Shri Raga, from a Ragamala

Unrecorded maker

c. 1680–90 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.