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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    164 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    8 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 366 matching records exist across the two collections.

Results for "Engaged Capital"12 records

Institutions answered newest-first by record, interleaved

Engaged capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged capital

Unrecorded maker

late 12th century · Stone

Cleared · Public Domain

live
The MetSimilar
Engaged Capital with a Lion and a Basilisk by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with a Lion and a Basilisk

Unrecorded maker

1175–1200 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged capital

Unrecorded maker

late 12th century · Stone

Cleared · Public Domain

live
The MetSimilar
Engaged Capital with Lions by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with Lions

Unrecorded maker

1145–64 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged capital

Unrecorded maker

late 12th century · Stone

Cleared · Public Domain

live
The MetSimilar
Engaged Capital with a Supporting (Caryatidal) Figure Flanked by Lions by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with a Supporting (Caryatidal) Figure Flanked by Lions

Unrecorded maker

c. 1125–1150 · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged Capital

Unrecorded maker

late 12th century · Stone

Cleared · Public Domain

live
The MetSimilar
Engaged Capital with Windblown Acanthus by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with Windblown Acanthus

Unrecorded maker

400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged Capital

Unrecorded maker

late 12th century · Stone

Cleared · Public Domain

live
The MetSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged Capital

Unrecorded maker

late 12th century · Stone

Cleared · Public Domain

live
The MetSimilar
Engaged Capital by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital

Unrecorded maker

1400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.