Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1819 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    332 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,390 matching records exist across the two collections.

Results for "Engaged Capital with Figures of a Man an"12 records

Institutions answered newest-first by record, interleaved

Figure of a man with an oryx, a monkey, and a leopard skin by an unrecorded maker, The Metropolitan Museum of Art

Figure of a man with an oryx, a monkey, and a leopard skin

Unrecorded maker

ca. 8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Engaged Capital with Figures of a Man and of an Eagle by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with Figures of a Man and of an Eagle

Unrecorded maker

1175–1200 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Painted limestone funerary stele with a seated man and two standing figures by an unrecorded maker, The Metropolitan Museum of Art

Painted limestone funerary stele with a seated man and two standing figures

Unrecorded maker

late 4th–early 3rd century BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Marble head of a man by an unrecorded maker, The Metropolitan Museum of Art

Marble head of a man

Unrecorded maker

69–96 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Fragmentary Shroud with a Bearded Young Man by an unrecorded maker, The Metropolitan Museum of Art

Fragmentary Shroud with a Bearded Young Man

Unrecorded maker

120–150 CE · Linen, tempera paint

Cleared · Public Domain

live
The MetSimilar
Capital with Samson and an Attendant Fighting a Lion by an unrecorded maker, The Metropolitan Museum of Art

Capital with Samson and an Attendant Fighting a Lion

Unrecorded maker

ca. 1175–1200 · Limestone

Cleared · Public Domain

live
The MetSimilar
Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister) by an unrecorded maker, The Metropolitan Museum of Art

Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)

Unrecorded maker

late 12th–early 13th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso) by Francesco Furini, The Metropolitan Museum of Art

Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)

Francesco Furini (d. 1646)

17th century · Red chalk, highlighted with white chalk

Cleared · Public Domain

live
The MetSimilar
Man with a Mixing Bowl by Joseph Willems, The Metropolitan Museum of Art

Man with a Mixing Bowl

Joseph Willems (d. 1766)

1736 · Terracotta

Cleared · Public Domain

live
The MetSimilar
Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1796–98 (possibly later) · Brush and point of brush, carbon black washes

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ostracon with bearded man

Unrecorded maker

ca. 1300–1080 BCE · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

'Great Builders' (figures engaged in building a pyramid)

Jean Charlot (d. 1979)

1930 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.