
Figure of a man with an oryx, a monkey, and a leopard skin
Unrecorded maker
ca. 8th century BCE · Ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1819 ms. The Metropolitan Museum of Art, Collection API (Open Access)
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,390 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Figure of a man with an oryx, a monkey, and a leopard skin
Unrecorded maker
ca. 8th century BCE · Ivory
Cleared · Public Domain
live
Engaged Capital with Figures of a Man and of an Eagle
Unrecorded maker
1175–1200 · Sculpture, marble
Cleared · CC0
live
Painted limestone funerary stele with a seated man and two standing figures
Unrecorded maker
late 4th–early 3rd century BCE · Limestone, paint
Cleared · Public Domain
live
Marble head of a man
Unrecorded maker
69–96 CE · Marble
Cleared · Public Domain
live
Fragmentary Shroud with a Bearded Young Man
Unrecorded maker
120–150 CE · Linen, tempera paint
Cleared · Public Domain
live
Capital with Samson and an Attendant Fighting a Lion
Unrecorded maker
ca. 1175–1200 · Limestone
Cleared · Public Domain
live
Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)
Unrecorded maker
late 12th–early 13th century · Limestone
Cleared · Public Domain
live
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)
Francesco Furini (d. 1646)
17th century · Red chalk, highlighted with white chalk
Cleared · Public Domain
live
Man with a Mixing Bowl
Joseph Willems (d. 1766)
1736 · Terracotta
Cleared · Public Domain
live
Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes) (d. 1828)
1796–98 (possibly later) · Brush and point of brush, carbon black washes
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ostracon with bearded man
Unrecorded maker
ca. 1300–1080 BCE · Limestone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
'Great Builders' (figures engaged in building a pyramid)
Jean Charlot (d. 1979)
1930 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.