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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    354 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 158 matching records exist across the two collections.

Results for "Engaged Capital with a Supporting (Carya"11 records

Institutions answered newest-first by record, interleaved

Fragments of a Palm Column by an unrecorded maker, The Metropolitan Museum of Art

Fragments of a Palm Column

Unrecorded maker

ca. 2353–2323 BCE · Granite

Cleared · Public Domain

live
The MetSimilar
Capital with a Centaur Battling a Man with Bow and Arrow by an unrecorded maker, The Metropolitan Museum of Art

Capital with a Centaur Battling a Man with Bow and Arrow

Unrecorded maker

ca. 1175–1200 · Limestone

Cleared · Public Domain

live
The MetSimilar
Capital with Engaged Impost by an unrecorded maker, The Metropolitan Museum of Art

Capital with Engaged Impost

Unrecorded maker

second half 12th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Capital with Samson and an Attendant Fighting a Lion by an unrecorded maker, The Metropolitan Museum of Art

Capital with Samson and an Attendant Fighting a Lion

Unrecorded maker

ca. 1175–1200 · Limestone

Cleared · Public Domain

live
The MetSimilar
Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister) by an unrecorded maker, The Metropolitan Museum of Art

Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)

Unrecorded maker

late 12th–early 13th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Engaged Capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged Capital

Unrecorded maker

late 12th–early 13th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Stirrup-spout bottle with feline by Chimú artist(s), The Metropolitan Museum of Art

Stirrup-spout bottle with feline

Chimú artist(s)

1350–1470 CE · Silver

Cleared · Public Domain

live
The MetSimilar
Two Terms, Two Cornices and a Pillar by Hugues Sambin, The Metropolitan Museum of Art

Two Terms, Two Cornices and a Pillar

Hugues Sambin (d. 1601)

1554 · Etching

Cleared · Public Domain

live
The MetSimilar
Courtier's key by an unrecorded maker, The Metropolitan Museum of Art

Courtier's key

Unrecorded maker

ca. 1580–89 · Iron

Cleared · Public Domain

live
The MetSimilar
Decoration for a Thesis in Honor of Saint Francis Solano in two parts: the top part with Saint Francis Solano, arms raised and a sun in his hands, Mount Potosí at right; lower part with the doctor of the church holding a banner and two putti below by Stefano della Bella, The Metropolitan Museum of Art

Decoration for a Thesis in Honor of Saint Francis Solano in two parts: the top part with Saint Francis Solano, arms raised and a sun in his hands, Mount Potosí at right; lower part with the doctor of the church holding a banner and two putti below

Stefano della Bella (d. 1664)

1639 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Limestone funerary stele with a sacred tree and sphinxes

Unrecorded maker

first half of the 5th century BCE · Limestone

In copyright

live
The MetSimilar

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