Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1083 ms. The Metropolitan Museum of Art, Collection API (Open Access)
496 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,365 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peace and War
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1779 · Stipple engraving and etching
In copyright
live
English War Work: Peace and War
Joseph Pennell (d. 1926)
1916 · Print, lithograph
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Time of Peace
Thomas Lewis Atkinson (d. 1898)
1850 · Mixed method engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Time of War
Sir Edwin Henry Landseer (d. 1873)
1850 · Mixed method engraving on chine collé; proof before title
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peace
William Ordway Partridge (d. 1930)
ca. 1898 · Marble
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peace and War
Emil Fuchs (d. 1929)
1913 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
United war work campaign
Bruce Porter (d. 1953)
ca. 1917 · Commercial lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
United war work campaign
Gordon Grant (d. 1962)
ca. 1917 · Commercial lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Peace and War
Chester Beach (d. 1956)
1937 · Bronze, light brown patina
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Peace and War
Chester Beach (d. 1956)
1937 · Bronze, light brown patina
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
War
Jackson Pollock (d. 1956)
1947 · Ink and colored pencils on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peace is Life / War is Death
Cecil Howard (d. 1956)
1950 · Bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.