
Entry to the Village of Bains
Eugène Isabey (d. 1886)
1831 · Lithograph in black on light gray chine collé laid down on ivory wove paper;second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
352 ms. The Metropolitan Museum of Art, Collection API (Open Access)
248 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Entry to the Village of Bains
Eugène Isabey (d. 1886)
1831 · Lithograph in black on light gray chine collé laid down on ivory wove paper;second state of two
Cleared · Public Domain
live
Cour des bubastites et entrée de la Salle Hypostyle du palais de Karnac, Thèbes
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Entrée de la première Cataracte près d'Assouan
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Entrée du Spéos d'Athor, à Abousembil
Maxime Du Camp (d. 1894)
March 28, 1850 · Salted paper print from paper negative
Cleared · Public Domain
live
Entrée du Tombeau de Sultan Bezkouk, au Kaire
Maxime Du Camp (d. 1894)
December 1849–January 1850 · Salted paper print from paper negative
Cleared · Public Domain
live
Haute-Égypte. Entrée de la première Cataracte
Maxime Du Camp (d. 1894)
1850 · Salted paper print (Blanquart-Évrard process) from paper negative
Cleared · Public Domain
live
Nubie. Ibsamboul. Entrée du Spéos d'Hathor
Maxime Du Camp (d. 1894)
March 28, 1850 · Salted paper print (Blanquart-Évrard process) from paper negative
Cleared · Public Domain
live
Portail Saint-Trophime; Entrée Du Cloître, Arles, Église Métropolitaine de Saint-Trophime
Charles Nègre (d. 1880)
1852 · Relief print
Cleared · Public Domain
live
Profil du Portail; Entrée Du Cloitre, Arles, Eglise Metropolitaine de Saint-Trophime
Charles Nègre (d. 1880)
1852 · Salted paper prints from paper negatives
Cleared · Public Domain
live![[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT1165.jpg)
[Entrance to the Port of Boulogne]
Edouard Baldus (d. 1889)
1855 · Salted paper print from paper negative
Cleared · Public Domain
live
Entrée du Robinet
Edouard Baldus (d. 1889)
ca. 1861 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrée du Temple Aménophis et statues de Ramessès III, en pied, à Karnak
Félix Bonfils (d. 1885)
after 1867 · Albumen silver print from glass negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.