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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    352 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    248 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "Entrée du Robinet"12 records

Institutions answered newest-first by record, interleaved

Entry to the Village of Bains by Eugène Isabey, The Metropolitan Museum of Art

Entry to the Village of Bains

Eugène Isabey (d. 1886)

1831 · Lithograph in black on light gray chine collé laid down on ivory wove paper;second state of two

Cleared · Public Domain

live
The MetSimilar
Cour des bubastites et entrée de la Salle Hypostyle du palais de Karnac, Thèbes by Maxime Du Camp, The Metropolitan Museum of Art

Cour des bubastites et entrée de la Salle Hypostyle du palais de Karnac, Thèbes

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Entrée de la première Cataracte près d'Assouan by Maxime Du Camp, The Metropolitan Museum of Art

Entrée de la première Cataracte près d'Assouan

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Entrée du Spéos d'Athor, à Abousembil by Maxime Du Camp, The Metropolitan Museum of Art

Entrée du Spéos d'Athor, à Abousembil

Maxime Du Camp (d. 1894)

March 28, 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Entrée du Tombeau de Sultan Bezkouk, au Kaire by Maxime Du Camp, The Metropolitan Museum of Art

Entrée du Tombeau de Sultan Bezkouk, au Kaire

Maxime Du Camp (d. 1894)

December 1849–January 1850 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Haute-Égypte. Entrée de la première Cataracte by Maxime Du Camp, The Metropolitan Museum of Art

Haute-Égypte. Entrée de la première Cataracte

Maxime Du Camp (d. 1894)

1850 · Salted paper print (Blanquart-Évrard process) from paper negative

Cleared · Public Domain

live
The MetSimilar
Nubie. Ibsamboul. Entrée du Spéos d'Hathor by Maxime Du Camp, The Metropolitan Museum of Art

Nubie. Ibsamboul. Entrée du Spéos d'Hathor

Maxime Du Camp (d. 1894)

March 28, 1850 · Salted paper print (Blanquart-Évrard process) from paper negative

Cleared · Public Domain

live
The MetSimilar
Portail Saint-Trophime; Entrée Du Cloître, Arles, Église Métropolitaine de Saint-Trophime by Charles Nègre, The Metropolitan Museum of Art

Portail Saint-Trophime; Entrée Du Cloître, Arles, Église Métropolitaine de Saint-Trophime

Charles Nègre (d. 1880)

1852 · Relief print

Cleared · Public Domain

live
The MetSimilar
Profil du Portail; Entrée Du Cloitre, Arles, Eglise Metropolitaine de Saint-Trophime by Charles Nègre, The Metropolitan Museum of Art

Profil du Portail; Entrée Du Cloitre, Arles, Eglise Metropolitaine de Saint-Trophime

Charles Nègre (d. 1880)

1852 · Salted paper prints from paper negatives

Cleared · Public Domain

live
The MetSimilar
[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art

[Entrance to the Port of Boulogne]

Edouard Baldus (d. 1889)

1855 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Entrée du Robinet by Edouard Baldus, The Metropolitan Museum of Art

Entrée du Robinet

Edouard Baldus (d. 1889)

ca. 1861 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrée du Temple Aménophis et statues de Ramessès III, en pied, à Karnak

Félix Bonfils (d. 1885)

after 1867 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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