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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    320 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Entrance of the White King in Utrecht, f"11 records

Institutions answered newest-first by record, interleaved

Fragment of a desert hunt - see 26.3.354-5-related by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a desert hunt - see 26.3.354-5-related

Unrecorded maker

ca. 2051–2000 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Outer Coffin of the Chantress of Amun-Re Henettawy by an unrecorded maker, The Metropolitan Museum of Art

Outer Coffin of the Chantress of Amun-Re Henettawy

Unrecorded maker

ca. 1000–945 BCE · Wood, gesso, paint, varnish

Cleared · Public Domain

live
The MetSimilar
Fragmentary Lotiform Chalice by an unrecorded maker, The Metropolitan Museum of Art

Fragmentary Lotiform Chalice

Unrecorded maker

ca. 1080–1054 BCE or ca. 945–924 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Watch by F. L. Meybom, The Metropolitan Museum of Art

Watch

F. L. Meybom (d. 1710)

ca. 1670–75 · Case: gold, blued steel, rock crystal, partly gilded silver, and diamonds; Dial: painted enamel and basse-taille enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785), at his château of Chanteloup by an unrecorded maker, The Metropolitan Museum of Art

Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785), at his château of Chanteloup

Unrecorded maker

ca. 1771 · Wood, carved, painted white and gilded

Cleared · Public Domain

live
The MetSimilar
Entrance of the White King in Utrecht, from "Der Weisskunig" by Hans Burgkmair, The Metropolitan Museum of Art

Entrance of the White King in Utrecht, from "Der Weisskunig"

Hans Burgkmair (d. 1531)

printed 18th century · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Marchande de moutarde by James McNeill Whistler, The Metropolitan Museum of Art

La Marchande de moutarde

James McNeill Whistler (d. 1903)

1858 · Etching on tan chine on white wove paper (chine collé); third state of five (Glasgow)

Cleared · Public Domain

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The MetSimilar
La Vielle aux Loques by James McNeill Whistler, The Metropolitan Museum of Art

La Vielle aux Loques

James McNeill Whistler (d. 1903)

1858 · Etching and drypoint on tan chine on off-white wove paper (chine collé); third state of four (Glasgow)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Views of the Interior and Exterior of Windsor Castle

Joseph Nash (d. 1878)

1852 · Illustrations: lithographs with tint stones

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Sound of Kilbrannan and Entrance to Loch Fyne

Sir David Young Cameron (d. 1945)

1889 · Etching; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

King's dream

Corita Kent (d. 1986)

1969 · Screenprint

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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