![[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT1165.jpg)
[Entrance to the Port of Boulogne]
Edouard Baldus (d. 1889)
1855 · Salted paper print from paper negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
428 ms. The Metropolitan Museum of Art, Collection API (Open Access)
402 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,416 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT1165.jpg)
[Entrance to the Port of Boulogne]
Edouard Baldus (d. 1889)
1855 · Salted paper print from paper negative
Cleared · Public Domain
live
Boats at Berck-sur-Mer
Édouard Manet (d. 1883)
1873 · Painting, oil on fabric
Cleared · CC0
live
Faradisation du muscle frontal
Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)
1854–56, printed 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
Figure 21: Painful recollection and recollection or calling something to mind
Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)
1854–56, printed 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.
Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)
1854–56, printed 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
Figure 6: The grimice produced is similar to a tic of the face
Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)
1854–56, printed 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65
Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)
1854–56, printed 1862 · Albumen silver print from glass negative
Cleared · Public Domain
live
The "Kearsarge" at Boulogne
Edouard Manet (d. 1883)
1864 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Bois de Boulogne"
Paul Poiret (d. 1944)
1919 · a–c) silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to Boulogne
Pierre Gatier (d. 1944)
1944 · Ink and watercolor on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.