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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    428 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    402 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,416 matching records exist across the two collections.

Results for "Entrance to Boulogne"10 records

Institutions answered newest-first by record, interleaved

[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art

[Entrance to the Port of Boulogne]

Edouard Baldus (d. 1889)

1855 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Boats at Berck-sur-Mer by Édouard Manet, The Cleveland Museum of Art

Boats at Berck-sur-Mer

Édouard Manet (d. 1883)

1873 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Faradisation du muscle frontal by Guillaume-Benjamin-Amand Duchenne de Boulogne, The Metropolitan Museum of Art

Faradisation du muscle frontal

Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)

1854–56, printed 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Figure 21: Painful recollection and recollection or calling something to mind by Guillaume-Benjamin-Amand Duchenne de Boulogne, The Metropolitan Museum of Art

Figure 21: Painful recollection and recollection or calling something to mind

Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)

1854–56, printed 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. by Guillaume-Benjamin-Amand Duchenne de Boulogne, The Metropolitan Museum of Art

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze.

Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)

1854–56, printed 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Figure 6: The grimice produced is similar to a tic of the face by Guillaume-Benjamin-Amand Duchenne de Boulogne, The Metropolitan Museum of Art

Figure 6: The grimice produced is similar to a tic of the face

Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)

1854–56, printed 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65 by Guillaume-Benjamin-Amand Duchenne de Boulogne, The Metropolitan Museum of Art

Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65

Guillaume-Benjamin-Amand Duchenne de Boulogne (d. 1875)

1854–56, printed 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The "Kearsarge" at Boulogne by Edouard Manet, The Metropolitan Museum of Art

The "Kearsarge" at Boulogne

Edouard Manet (d. 1883)

1864 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Bois de Boulogne"

Paul Poiret (d. 1944)

1919 · a–c) silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrance to Boulogne

Pierre Gatier (d. 1944)

1944 · Ink and watercolor on paper

In copyright

live
The MetSimilar

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