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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    523 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    287 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5 matching records exist across the two collections.

Results for "Entrance to La Ville Close, Concarneau,"5 records

Institutions answered newest-first by record, interleaved

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi) by Lo Spagna (Giovanni di Pietro), The Metropolitan Museum of Art

The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)

Lo Spagna (Giovanni di Pietro) (d. 1528)

1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer

Cleared · Public Domain

live
The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Entrée de la première Cataracte près d'Assouan by Maxime Du Camp, The Metropolitan Museum of Art

Entrée de la première Cataracte près d'Assouan

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrance to La Ville Close, Concarneau, France

Philip H. Giddens (d. 1974)

ca. 1920–35 · Drypoint

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.