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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1876 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    1374 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 42 matching records exist across the two collections.

Results for "Entrance to The Hague from the South Eas"12 records

Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: South Wall by an unrecorded maker, The Metropolitan Museum of Art

Tomb Chapel of Raemkai: South Wall

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Tomb chapel of Raemkai: South wall of the entrance corridor by an unrecorded maker, The Metropolitan Museum of Art

Tomb chapel of Raemkai: South wall of the entrance corridor

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Inscribed Lintel from the Tomb of the Overseer of Priests and Keeper of the Sacred Cattle Mereri, Describing His Exemplary Life by an unrecorded maker, The Metropolitan Museum of Art

Inscribed Lintel from the Tomb of the Overseer of Priests and Keeper of the Sacred Cattle Mereri, Describing His Exemplary Life

Unrecorded maker

ca. 2100–2030 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Lintel and Relief from the Tomb of the Overseer of Priests and Keeper of the sacred Cattle Mereri, Describing His Exemplary Life by an unrecorded maker, The Metropolitan Museum of Art

Lintel and Relief from the Tomb of the Overseer of Priests and Keeper of the sacred Cattle Mereri, Describing His Exemplary Life

Unrecorded maker

ca. 2100–2030 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Ceiling Painting from the Tomb Chapel of Senenmut by an unrecorded maker, The Metropolitan Museum of Art

Ceiling Painting from the Tomb Chapel of Senenmut

Unrecorded maker

ca. 1473–1458 BCE · Mud plaster, paint

Cleared · Public Domain

live
The MetSimilar
Ceiling Painting from the Tomb Chapel of Senenmut by an unrecorded maker, The Metropolitan Museum of Art

Ceiling Painting from the Tomb Chapel of Senenmut

Unrecorded maker

ca. 1473–1458 BCE · Mud plaster, paint

Cleared · Public Domain

live
The MetSimilar
Ceiling Painting from the Tomb Chapel of Senenmut by an unrecorded maker, The Metropolitan Museum of Art

Ceiling Painting from the Tomb Chapel of Senenmut

Unrecorded maker

ca. 1473–1458 BCE · Mud plaster, paint

Cleared · Public Domain

live
The MetSimilar
The Huis ten Bosch at The Hague and Its Formal Garden (View from the South) by Jan van der Heyden, The Metropolitan Museum of Art

The Huis ten Bosch at The Hague and Its Formal Garden (View from the South)

Jan van der Heyden (d. 1712)

ca. 1668–70 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Entrance to The Hague from the South East by Jacob Elias La Fargue, The Metropolitan Museum of Art

Entrance to The Hague from the South East

Jacob Elias La Fargue (d. 1776)

1750–76 · Pen and brown ink, wash, heightened with white gouache

Cleared · Public Domain

live
The MetSimilar
Vienne, Souterrain by Edouard Baldus, The Metropolitan Museum of Art

Vienne, Souterrain

Edouard Baldus (d. 1889)

ca. 1861 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Church Portico at Left and a Mansion Entrance at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with Design for an Entrance Gate, from Nouveau Liure de Serrurie, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1689–1712 · Etching

In copyright

live
The MetSimilar

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