The Entrance to a Wood
Robert Walter Weir (d. 1889)
1836 · Watercolor and graphite on buff wove paper
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
748 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
265 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,538 matching records exist across the two collections.
Results for "Entrance to a Coal Mine in the Valley of"12 records
Institutions answered newest-first by record, interleaved
Entrance to a Coal Mine in the Valley of Wyoming, Pennsylvania (Entrance to a Coal Mine, Susquehanna)
Thomas Addison Richards (d. 1900)
1852 · Graphite and white chalk on brown wove paper
Cleared · Public Domain
liveThe MetSimilar
In the Valley of Wyoming, Pennsylvania (Interior of a Coal Mine, Susquehanna)
Thomas Addison Richards (d. 1900)
1852 · Graphite and white chalk on light brown wove paper
Cleared · Public Domain
liveThe MetSimilar
Government Coal Wharf, Alexandria, Virginia
Andrew Joseph Russell (d. 1902)
1863–65 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
View of a colliery at the edge of a town
George Price Boyce (d. 1897)
1865–75 · Watercolor over graphite
Cleared · Public Domain
liveThe MetSimilar
Library Table
Rose Valley Shops (d. 1906)
1904 · White oak, stained
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Present Condition of the Entrance to the Mine in Front of Petersburg, Va.
Anonymous, American, 19th century (d. 1900)
ca. 1865 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Side chair
Rose Valley Shops (d. 1906)
1901–1906 · Oak
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bituminous Coal Storage Pile
Joseph Stella (d. 1946)
ca. 1920 · Charcoal and silver metallic paint on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coal Station
Thomas Hart Benton (d. 1975)
1920s · Pen and black ink and watercolor over graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coal Dock Worker
Walker Evans (d. 1975)
1933 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coal Seam, Bergwerk Prosper-Haniel #1
Miles Coolidge (d. 9999)
2013 · Inkjet print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.