
The Classic of Filial Piety
Li Gonglin (d. 1106)
ca. 1085 · Handscroll; ink and color on silk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
383 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 619 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Classic of Filial Piety
Li Gonglin (d. 1106)
ca. 1085 · Handscroll; ink and color on silk
Cleared · Public Domain
live
Aerarii Publici Rome, from a series depicting (reconstructed) buildings from Roman antiquity
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Engraving
Cleared · Public Domain
live
Aerarii Publici Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving
Cleared · Public Domain
live
Perspectival View and Floorplan of a Public (?) Building
Anonymous, French, 17th century (d. 1700)
ca. 1650–70 · Pen and brown ink and watercolor over black chalk
Cleared · Public Domain
live
American Institute, New York City (front elevation)
Alexander Jackson Davis (d. 1892)
1834–35 · Watercolor, ink and graphite
Cleared · Public Domain
live
Sleeping Faun
Edward Clark Potter (d. 1923)
1887–89, cast 1919 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to the Giardino del Lago, Villa Borghese, Rome
Gustav Wilhelm Palm (d. 1890)
1844 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hints on Public Architecture
Robert Dale Owen (d. 1877)
1849 · Illustrations: lithographs and wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to a Public Building (Public Library, Copley Square, Boston?)
Sears Gallagher (d. 1955)
ca. 1911–55 · Etching with drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to a Public Building (Public Library, Copley Square, Boston?)
Sears Gallagher (d. 1955)
ca. 1911–55 · Etching with drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to a Public Building (Public Library, Copley Square, Boston?)
Sears Gallagher (d. 1955)
ca. 1911–55 · Etching with drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to a Public Building (Public Library, Copley Square, Boston), II/II
Sears Gallagher (d. 1955)
ca. 1911–55 · Etching with drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.