Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    119 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "Entrance to the Faubourg, Saint-Marceau,"12 records

Institutions answered newest-first by record, interleaved

Saint Petronilla by an unrecorded maker, The Metropolitan Museum of Art

Saint Petronilla

Unrecorded maker

1330–40 · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Entrance to the Faubourg, Saint-Marceau, Paris by Charles Meryon, The Cleveland Museum of Art

Entrance to the Faubourg, Saint-Marceau, Paris

Charles Meryon (d. 1868)

1850 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Entrance to the Suburb of Saint Marceau near Paris by Reinier Nooms, called Zeeman, The Metropolitan Museum of Art

Entrance to the Suburb of Saint Marceau near Paris

Reinier Nooms, called Zeeman (d. 1664)

17th century · Etching; second state

Cleared · Public Domain

live
The MetSimilar
The Inauguration of the Statue of Louis XV by Gabriel de Saint-Aubin, The Metropolitan Museum of Art

The Inauguration of the Statue of Louis XV

Gabriel de Saint-Aubin (d. 1780)

1766 · Etching, third state

Cleared · Public Domain

live
The MetSimilar
View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding by Jean Claude Richard, Abbé de Saint-Non, The Metropolitan Museum of Art

View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding

Jean Claude Richard, Abbé de Saint-Non (d. 1791)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Entrance to the Grotto of Posillipo by Hubert Robert, The Metropolitan Museum of Art

Entrance to the Grotto of Posillipo

Hubert Robert (d. 1808)

n.d. · Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Entrance to the Faubourg Saint-Marceau, Paris by Charles Meryon, The Metropolitan Museum of Art

Entrance to the Faubourg Saint-Marceau, Paris

Charles Meryon (d. 1868)

1850 · Etching on wove paper; second state of two

Cleared · Public Domain

live
The MetSimilar
Vanderbilt Mantelpiece by Augustus Saint-Gaudens, The Metropolitan Museum of Art

Vanderbilt Mantelpiece

Augustus Saint-Gaudens (d. 1907)

ca. 1881–83 · Marble, mosaic, oak, and cast iron

Cleared · Public Domain

live
The MetSimilar
Vanderbilt Mantelpiece date panel by Augustus Saint-Gaudens, The Metropolitan Museum of Art

Vanderbilt Mantelpiece date panel

Augustus Saint-Gaudens (d. 1907)

1881–83 · Mahogany, ivory, mother-of-pearl, and coral

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Femme de l'entrée du prince Guillaume (Woman from the Entrance to Prince William Sound)

Jacques Grasset de Saint-Sauveur (d. 1810)

1796 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Homme de l'entree du prince Guillaume (Man from the Entrance to Prince William Sound)

Jacques Grasset de Saint-Sauveur (d. 1810)

1796 · Hand-colored etching on pale blue paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunday at the Church of Saint-Philippe-du-Roule, Paris

Jean Béraud (d. 1936)

1877 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.