
Triton
Giambologna (d. 1608)
1590s · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
302 ms. The Metropolitan Museum of Art, Collection API (Open Access)
328 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Triton
Giambologna (d. 1608)
1590s · Bronze
Cleared · Public Domain
live
Altra Vedvta in Prospettiva del Teatro et Giardino Contigvo di Mondragone in Frascati (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 2, 'Le fontane delle ville di Frascati' (plate 18)
Giovanni Battista Falda (d. 1678)
1691 or after · Etching
Cleared · Public Domain
live
Le Fontane del Giardino Estense in Tivoli con li Loro Prospetti, e Vedute della Cascata del Fiume Aniene
Giovanni Francesco Venturini (d. 1700)
1691 or after · Etching
Cleared · Public Domain
live
Veduta del Palazzo dal Piano del Giardino con le sue Fontane, from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 4, 'Le Fontane del Giardino Estense in Tivoli' (plate 3)
Giovanni Francesco Venturini (d. 1700)
1691 or after · Etching
Cleared · Public Domain
live
View of the side facade of the Palazzo Pamphili and its garden (Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro...Pamphilio)
Simon Felice (d. 1699)
after 1677 · Etching
Cleared · Public Domain
live
Remains of the Entrance of Hadrian’s Villa near Tivoli
Luigi Basiletti (d. 1859)
ca. 1820 · Pen and brown wash over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Substructures of Clodius in his villa in the Alban Hills, now belonging to the Barberini, tavola 9 from "Di due spelonche ornate dagli antichi alla Riva del Lago Albano" (concerning two caves embellished by the ancients on the bank of Lake Albano)
Giovanni Battista Piranesi (d. 1778)
1762 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to the Giardino del Lago, Villa Borghese, Rome
Gustav Wilhelm Palm (d. 1890)
1844 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.