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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    654 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    316 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 194 matching records exist across the two collections.

Results for "Entrance to the Harbor of La Rochelle"12 records

Institutions answered newest-first by record, interleaved

Entrance to the Forest of Fontainebleau by Jean Jacques de Boissieu, The Metropolitan Museum of Art

Entrance to the Forest of Fontainebleau

Jean Jacques de Boissieu (d. 1810)

1764 · Etching with drypoint; second state of four

Cleared · Public Domain

live
The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Entrée de la première Cataracte près d'Assouan by Maxime Du Camp, The Metropolitan Museum of Art

Entrée de la première Cataracte près d'Assouan

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art

[Entrance to the Port of Boulogne]

Edouard Baldus (d. 1889)

1855 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Entrée du Robinet by Edouard Baldus, The Metropolitan Museum of Art

Entrée du Robinet

Edouard Baldus (d. 1889)

ca. 1861 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar
Entrance to Harbor—Moonlight by David Johnson Kennedy, The Metropolitan Museum of Art

Entrance to Harbor—Moonlight

David Johnson Kennedy (d. 1898)

1881 · Watercolor, gouache, graphite, pastel, and sgraffito on white wove paper coated with gray gouache

Cleared · Public Domain

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The MetSimilar
Searchlight on Harbor Entrance, Santiago de Cuba by Winslow Homer, The Metropolitan Museum of Art

Searchlight on Harbor Entrance, Santiago de Cuba

Winslow Homer (d. 1910)

1902 · Oil on canvas

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrance to New York Harbor

George C. Petersen (d. 1900)

ca. 1839 · Sepia wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transom window from the entrance hall of the Worsham-Rockefeller House

John La Farge (d. 1910)

ca. 1881–82 · Leaded opalescent glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Narrows, Entrance to New York Harbor, from the Scenes and Buildings series (N155) for Duke brand Honest Long Cut Tobacco

W. Duke, Sons & Co. (d. 1920)

ca. 1889 · Albumen photograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Notre-Dame de la Garde (La Bonne Mère), Marseille

Paul Signac (d. 1935)

1905–6 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Entrance to the Harbor of La Rochelle

Paul Signac (d. 1935)

ca. 1920–28 · Graphite and watercolor on paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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