
Entrance to the Forest of Fontainebleau
Jean Jacques de Boissieu (d. 1810)
1764 · Etching with drypoint; second state of four
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
654 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 194 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Entrance to the Forest of Fontainebleau
Jean Jacques de Boissieu (d. 1810)
1764 · Etching with drypoint; second state of four
Cleared · Public Domain
live
View of Messina Harbor
Louis François Cassas (d. 1827)
1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink
Cleared · Public Domain
live
Entrée de la première Cataracte près d'Assouan
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live![[Entrance to the Port of Boulogne] by Edouard Baldus, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT1165.jpg)
[Entrance to the Port of Boulogne]
Edouard Baldus (d. 1889)
1855 · Salted paper print from paper negative
Cleared · Public Domain
live
Entrée du Robinet
Edouard Baldus (d. 1889)
ca. 1861 · Albumen silver print from glass negative
Cleared · Public Domain
live
Entrance to Harbor—Moonlight
David Johnson Kennedy (d. 1898)
1881 · Watercolor, gouache, graphite, pastel, and sgraffito on white wove paper coated with gray gouache
Cleared · Public Domain
live
Searchlight on Harbor Entrance, Santiago de Cuba
Winslow Homer (d. 1910)
1902 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to New York Harbor
George C. Petersen (d. 1900)
ca. 1839 · Sepia wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transom window from the entrance hall of the Worsham-Rockefeller House
John La Farge (d. 1910)
ca. 1881–82 · Leaded opalescent glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Narrows, Entrance to New York Harbor, from the Scenes and Buildings series (N155) for Duke brand Honest Long Cut Tobacco
W. Duke, Sons & Co. (d. 1920)
ca. 1889 · Albumen photograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Notre-Dame de la Garde (La Bonne Mère), Marseille
Paul Signac (d. 1935)
1905–6 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to the Harbor of La Rochelle
Paul Signac (d. 1935)
ca. 1920–28 · Graphite and watercolor on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.