
Saint Petronilla
Unrecorded maker
1330–40 · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
335 ms. The Metropolitan Museum of Art, Collection API (Open Access)
529 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 39 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Petronilla
Unrecorded maker
1330–40 · Limestone, paint
Cleared · Public Domain
live
Entrance to the Suburb of Saint Marceau near Paris
Reinier Nooms, called Zeeman (d. 1664)
17th century · Etching; second state
Cleared · Public Domain
live
The Inauguration of the Statue of Louis XV
Gabriel de Saint-Aubin (d. 1780)
1766 · Etching, third state
Cleared · Public Domain
live
View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding
Jean Claude Richard, Abbé de Saint-Non (d. 1791)
18th century · Etching
Cleared · Public Domain
live
Entrance to the Grotto of Posillipo
Hubert Robert (d. 1808)
n.d. · Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
Entrance to the Faubourg Saint-Marceau, Paris
Charles Meryon (d. 1868)
1850 · Etching on wove paper; second state of two
Cleared · Public Domain
live
Landscape at Saint-Ouen
Georges Seurat (d. 1891)
1878 or 1879 · Oil on wood, mounted on wood
Cleared · Public Domain
live
Vanderbilt Mantelpiece
Augustus Saint-Gaudens (d. 1907)
ca. 1881–83 · Marble, mosaic, oak, and cast iron
Cleared · Public Domain
live
Vanderbilt Mantelpiece date panel
Augustus Saint-Gaudens (d. 1907)
1881–83 · Mahogany, ivory, mother-of-pearl, and coral
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Femme de l'entrée du prince Guillaume (Woman from the Entrance to Prince William Sound)
Jacques Grasset de Saint-Sauveur (d. 1810)
1796 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Homme de l'entree du prince Guillaume (Man from the Entrance to Prince William Sound)
Jacques Grasset de Saint-Sauveur (d. 1810)
1796 · Hand-colored etching on pale blue paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.